Christmas in Latveria

 

‘Tis the season! Once again, we near the end of the year, the time of decking halls, panic buying gifts and general chaos. To mark the festive season I wanted to take a look at the time the MC2’s Avengers went to Latveria for Christmas and found…Doom!

 

Our story opens with a prologue set in the ruins of Doomstadt, the former capital of the Balkan nation of Latveria. Two S.H.I.E.L.D. Agents discuss the destruction wrought by the long-ago war between Namor the Sub-Mariner and Doctor Doom as they search for a lost little girl. The pair are forced to cut their search short when they are attacked by Killer Robot’s. As they flee, they catch a glimpse of a distant figure on a rampart. Has Doctor Doom returned? (A-Next #5)

 

A few days later at the Avengers Headquarters in New York, J2 aka Zane Yama finds Thunderstrike aka Kevin Masterson reviewing old files about his father Eric Masterson, the original Thunderstrike. Meanwhile, a frustrated Stinger (Cassie Lang) brushes off American Dream (Shannon Carter) before confronting Mainframe about the unconfirmed reports of the return of Doctor Doom. While the Fantastic Five have been tasked with investigating, Cassie and her father Scott Lang (the former Ant-Man) convince them to let a team of Avengers go instead. However, Cassie is surprised to learn from Mainframe she’ll be accompanied by the new additions to the team American Dream and her fellow Dream Team members Bluestreak, Freebooter and Crimson Curse (A-Next #5).

 

Attempting to patch things up with her new team mates, Cassie tells them her real reason for wishing to travel to Latveria so much; Kristoff Vernard, a young boy and ward of Doctor Doom who she met and befriended when they all lived in the Baxter Building with the Fantastic Four. The pair grew close over the years until Kristoff returned to his home country Latveria when he heard a war was brewing between Doom and Namor. With Latveria devastated in the ensuing conflict, Doctor Doom was missing in action and believed dead, while Cassie lost all contact with Kristoff Vernard (A-Next #5).

 

As Thunderstrike, Kevin Masterson visits his father Eric’s grave, thinking about how he is trying to make him proud. A nearby awkward J2, unsure of what to do eventually puts his hand on Kevin’s shoulder to show his support before unintentionally reverting back into Zane Yama. Kevin invites Zane to join him for pizza (A-Next #5).

 

Arriving in the city of Doomstadt, the Avengers team plan to search Castle Doom for the missing girl, but are attacked by the Killer Robots. The Avengers make short work of them, especially once Crimson Curse demonstrates her abilities. Uncovering underground tunnels, Stinger ditches the others, shrinking to make her way through a blocked passage (A-Next #5).

 

Back in New York, Zane is impressed by Kevin’s apartment, including his Stunt Master poster. While Kevin feeds his cat Alex, Zane noticed a bunch of unopened letters from Kevin’s stepfather, Bobby Steele. Kevin reveals the two aren’t on the best of terms and that his mother would often have to play peacemaker between them. Zane responds that he dreams about having a father in his life and that Kevin is lucky to have had two and encourages him to call Bobby for Christmas (A-Next #5).

 

Hearing a child’s voice, Stinger eventually finds the missing girl Greta is not alone and appears to be talking with Doctor Doom. Listening to the pair talk, Stinger hears the girl ask Doom about his scary mask but before she can get a look beneath, the rest of the Avengers bust into the room. Stinger flies between them, demanding they stop their attack. With American Dream trusting her, Stinger explains the masked figure isn’t the real Doctor Doom. Cassie removes her helmet as Doom removes his mask to reveal himself as Kristoff Vernard and the pair embrace (A-Next #5).

 

Kristoff reveals that he returned home to ensure that Doctor Doom’s vast arsenal of advanced weapons of mass destruction never fell into the wrong hands. As Doctor Doom’s heir, Kristoff alone was given full access to all of Doom’s creations and ideas and therefore he concealed his own existence to ensure they could not be exploited. Kristoff Vernard bids Cassie a sad farewell and disappears (A-Next #5).

 

Returning to the outer perimeter with young Greta, the Avengers tell S.H.I.E.L.D. they saw no one else within the area just as Castle Doom is destroyed in an enormous flash of green light. As snow begins to fall, Greta tells the disbelieving S.H.I.E.L.D. agent that Father Christmas destroyed the castle as a gift to the world. With the Avengers coming together as a team, American Dream backs up the girl’s story as Stinger wishes her a Merry Christmas (A-Next #5).

 

I hope everyone has a wonderful time over the holidays and lets hope the New Year brings us all something positive.

 

Until I stop believing, I remain

 

frogoat

 

Halloween: Spider-Girl's Birthday

 

Well, Halloween is upon us once more and that means it is time to wish May ‘Mayday’ Parker aka Spider-Girl a Happy Birthday! Or is it? Let’s take a look at the situation.

 

At the commencement of the now legendary (and infamous) Clone Saga of the 90’s Peter and Mary Jane Parker learn they are going to have a baby and indeed, Mary Jane is pregnant throughout the entirety of the Saga. These same events play out in the MC2's past also, as seen in Spider-Girl #48-#49. Mary Jane apparently goes into a particularly painful and unusual labor after her food is spiked by Alison Mongrain (Sensational Spider-Man #11).

 

Mary Jane is taken to hospital where she learns from a Doctor Folsome that her regular doctor is not available. In the birthing suite, Mary Jane asks if her baby is breathing and is told by Folsome ‘everything is going exactly as planned’ as an unseen Norman Osborn watches on. Following an agonising delivery, Mary Jane again asks Folsome ‘why isn’t she crying’ before breaking down in tears. The doctor offers his condolences, while Mongrain (disguised as a nurse) wheels an unidentified ‘package’ to her car. Alison meets up with her employer at the docks where she is told she is going to Europe with a sizable bonus as she boards a yacht. Mongrain’s employer tells her she can call him by his real name: Norman Osborn (Amazing Spider-Man #418, Spider-Girl #48). Unbeknownst to both of them, Kaine will track down Mongrain.

 

 

All these events transpire across the day and through the night of October 31^st, Halloween. Thus, May ‘Mayday’ Parker was born on October 31^st in both the Main Marvel Universe and the MC2. So why is her birthday celebrated well after Christmas (Spider-Girl #54) in Spider-Girl #67? Well, this is a question I worked on answering many years ago now with good friend and excellent Spider-Man scholar Big Al. Here is an extract of our efforts from his own blog on Tumblr:

 

 

It is simply not logical that practically a whole year elapses between the Season of the Serpent and Marked for Death arcs, especially given how Mayday was clearly stated to be fifteen at the start of the series.

Whilst we don’t know for sure when Mayday celebrates her birthday in contrast to when Season of the Serpent happens (the latter arc itself spanning an uncertain amount of time itself) it wouldn’t be unreasonable to estimate that at most we’re talking late February maybe early March, but even that is a fairly extreme guess. But no way is it October.

Myself and Frogoat from this fair site in discussing this topic ultimately resolved to take our conundrum to the sources themselves and so Frogoat kindly asked Mr. Tom DeFalco and Mr Ron Frenz about the discrepancy at hand. Here is what Mr. Frenz had to say on the matter:

‘May’s birthday is considered to be October 31st.(As celebrated by and on this very message board!)Any story(seeming)inconsistency that suggests otherwise has been officially designated a SNAFU by no-less a legendary figure as Mr.Tom DeFalco himself.

 

May’s “Special Day” as shown, I believe, in our tenth-anniversary issue is a separate celebration of the day May was returned to her loving Parents by “Uncle Kaine.“

 

Oh, and shame on you for not knowing all of this. Shame, I say. ;D

 

Regards,

Ron.’

 

Well there you have it. Just a simple mistake.

But this wouldn’t be Continuity Confusion if we just left it there right?

Without starting any heated debates about continuity, what’s on the page vs. authorial intent or anything like that for the sake of argument let’s agree that Season of the Serpent happened at Christmas and that Mayday’s birthday occurred shortly thereafter.

How could this possibly in-universe make any kind of sense if we know for a fact that Mayday’s birthday falls on October 31^st?

 

 

So now that we have a co-creator’s comment, we must work out a No-Prize explanation for why Mayday’s birthday is celebrated months later. The answer is surprisingly simple, given that officially, baby May Parker was presumably declared deceased on October 31^st. We also know that months passed where Alison Mongrain travelled Europe in a yacht with the newborn May, while Peter and Mary Jane mourned their lost baby (Spider-Girl #48-#49). So, here is the most explanation Big Al and myself arrived at, again quoted from his post:

 

So, why not try this on for size. Given how she was presumed stillborn it is possible that Mayday was not given a birth certificate on October 31^st and may even have lacked one entirely during her abduction. There would however have been a record of her death.

This would’ve created a great deal of legal hassle for Peter, MJ and their lawyers not least because of them having to explain the circumstances of May’s abduction and retrieval. But the point is that they would have had to more than likely fill out an all-new birth certificate and legal records. My proposition is that when they did that Peter and MJ essentially assigned Mayday a different date as her birthday other than October 31. And if you think about it this makes a certain amount of sense emotionally speaking as October 31 would be a day that would hold very painful memories for Peter and MJ. So why not choose to celebrate the life of their daughter on a day free from the taint of any sad recollections?

 

Thanks to Big Al and to my fellow MC2 fanatic arias-98105 for their immense help and continual tolerance of my abysmal memory. With all that out of the way, we can assume that the Parker Family celebrate Mayday’s birthday sometime at least a few months after her actual birth, a good guess being around late February at the earliest. Gee, I bet that was a paperwork nightmare…Wait does that mean May's a probably a few months older than she thinks?!

 

Happy Birthday, May ‘Mayday’ Parker and Rest in Peace Ben Reilly. Have a good Halloween, everyone!

 

Until I stop rehashing old points of interest and plucking at threads, I remain

 

frogoat

 

 

 

 

 

 

Merry Christmas 2018

Happy Holidays Everyone!

 For those who are interested here's the full page:

A Merry MC2 Christmas and Happy New Year!

Merry Christmas Everyone!

Doctor Who Series 8 Re-Watch Snippets Part 2

Here is the second part of my re-visit of Doctor Who Series 8. Part One can be found here. In the run up to the Series 10 premiere, I am re-watching all of Peter Capaldi's era. So without further ado, here we go!

Is 'shut up!' the Twelfth Doctors catch phrase or are there too many pudding-brains everywhere?

'Kill the Moon' is a difficult story to pin down my thoughts on. I get that it's a kind of parable or exploration of morality but I don't feel it fairly weighs up the moral dilemma nor the enormity of the choices people have to make. I get that Capaldi's Doctor isn't going to hand-hold Clara or anyone through things but he also comes across as particularly cold and unfeeling for the majority of the story. It's atmospheric, to it's credit, in places. The supporting cast amount to a basically redundant cypher to argue against. On a side note, this retroactively means past stories set after 2049 involving the moon are now retroactively located on this new 'moon'.

'Mummy on the Orient Express' is possibly one of the best traditional Doctor Who stories in the modern series while also being a brilliant new series story. Atmospheric, fun, scary, built upon previous character moments. Capaldi really works in this episode, curious, bold, condescending but not uncaring, focused. Perkins deserves a special mention as the best would-be companion ever. Clara's appearance here is likely limited due to the filming schedules time constraints. Under the circumstances and this being a last hurrah, it works well to see her obviously question her decision to part ways with the Doctor.

'Flatline' is a great sci-fi concept executed well. Last episode was the Clara-lite episode and this is the Doctor-lite episode, though you really wouldn't know it. Capaldi's scenes are confined to the TARDIS interior and he is clearly having a ball playing the Doctor encountering a new unknown and very bizarre alien species from a two-dimensional universe. Clara stepping into the Doctor's role in this episode isn't unexpected, unprecedented nor the last time we'll see this development. Actually....despite the common criticism that Clara's characterisation is inconsistent I think it's actually fair to say she always lied (poorly) to those around her, desired adventure possibly moreso than any companion in the modern series to date, had a strong connection with children, a half-hearted wish for a normal life that conflicted with her overriding yearning for adventure. The reason she so easily slipped into the role of the Doctor was because deep down she wanted it more than anything else. And it will be the death of her. This story is one of my favourite New-Who standalone episodes. The Doctor's comment at the end of the episode about Clara acting in his place having nothing to do with being 'good' sum it up well.

'In the Forest of the Night' is certainly not one of my favourites. I'll try to be mostly positive. The concept is interesting even if the execution and visuals let it down. Capaldi demonstrates again that he plays well opposite children. Clara's clear inability to be honest is once again prominent....not sure that's a positive but it is surprisingly consistent. Contrast her failure to confide in Danny without being forced to with previous companion Amy. Before, we had an odd yet somehow functional relationship-come-family unit. Here, Clara is completely incapable of this. She's shown it time and time again. One bit of serious criticism though: that bit about the girls sister coming back...from a tree? I mean....come on. Could we please lend just a little gravity to what is a very real situation.

Side thought: the seemingly intelligent trees in this story could be linked to the Forest of Cheem from 'The End of the World'.

Oh, okay! One final positive for this episode: the scene between Clara and the Doctor which calls back to 'Kill the Moon' is actually very affecting.

The opening of 'Dark Water' is probably the most brutal piece of drama I've ever seen on Doctor Who. Removing any science fiction elements from the show makes the phone call Clara makes to Danny all the more stirring. Powerful stuff, truly. Somehow the mundane seems more surreal and the surreal science fiction seems more grounded and painful. The scenes that immediately follow between the Doctor and Clara are some of Capaldi and Coleman's best together. This kind of dynamic is something we rarely see in the show, and thank goodness because it really ratchets things up to a whole new level and it's terrifying. These two people are fundamentally incapable of being 100% honest. With each other. With others. With themselves. Manipulative both, but truly the best of friends. No wonder things turned out the way they did. They are absolutely the best and worst for one another. The Doctor offering to literally go to hell to help Clara even though she betrayed him is probably the point where I realized Capaldi was one of the best actors ever to portray the Doctor. Oh and there are Cybermen and Missy is revealed as the big bad and yadda yadda. But that's all window dressing, isn't it? Don't get me wrong, Gomez is fantastically bonkers and thoroughly entertaining but that really isn't the point of the series arc, is it? Besides, we'll see her again. We always do. Danny's out of body (for lack of a better phrase) experiences touch on his characters guilt. I'm not entirely sure it's satisfying as a payoff but it works to flesh him out somewhat. The majority of the episode's length is dedicated to convincing both the audience and our protagonists of the series conceit....only to pull the rug out from under us. Not sure how to feel about that. The Doctor's advice about remaining skeptical and critical were never more true.

So, was the cold opening of 'Death in Heaven' meant to bait the fans? Because while I like it, I never bought it for a second. The scene with UNIT showing up was nice, especially the Invasion-style Cyber-head. Cyber-pollen is a great concept, as is resurrecting the dead as Cybermen. As a huge fan of the big metal men, it's a real shame they are nothing more than foot soldiers for the real antagonist, Missy. It bothers me every time; they say they got the TARDIS out and locked down St Paul's....yet no one saw Clara only a few metre's away hanging with some Cybermen? And how did Cyber-Danny get in then? Is it a TARDIS or not? Probably enough nitpicking for now. The colours are muted and the tone of the episode is sombre and morbid. I quite like that. The Cybermen attacking the plane like gremlins was a nice idea and so were the Cybermen rising from their graves. Missy was decidedly nasty and watchable yet somehow kind of likable. Danny will bring you to tears if you aren't prepared. When Clara tries to help Danny it's a very real look at how monstrous the process is. The Doctor's turn when Danny offers him a tactical advantage is beautiful and brings up a mountain of questions. The blood-soaked general. Clara telling Danny she wasn't very good at it, but she did love him is a perfect illustration. The real crux of the series arc is in the Doctor questioning who he is and it's amazing. He's not a good man, nor a bad man, nor a hero, not a president or an officer. No, he's an idiot. Brilliant. Goodbye, Danny. I love the turmoil and hypocrisy of the Doctor potentially letting Missy go. The Brigadier steals one more scene and I have to admit it got me in. The final scenes with Clara and the Doctor lying to each other for the others sake is one of my favourite things about this pair. It's a hallmark of their complex relationship that I think people miss. Capaldi smashing the console in anger before collapsing in despair is powerful imagery. What a great way to end things. All things considered, a great first series. Now, onward to Christmas!  

'Last Christmas' is an entertaining and solid story. Santa showing up in any other show means you are in for a whimsical, cheery story. Not so much here, though...a little bit? The references to 'Alien' were appreciated by me as a hug fan. The Dream Crabs are an interesting concept that lets the episode play with our perceptions. Question and interrogate everything, the Doctor said. Comedy elves who complain about racist comments are amusing. The horror elements work well when jammed up against the more comic elements. Clara visiting Danny in her dream was bitter sweet, particularly when she can't even enjoy the lie. The Doctor and Clara admitting they both lied for the others benefit was a nice but short scene. 'Nobody likes the tangerines' is possibly one of my favourite put-downs delivered by Capaldi to-date. These notes aren't in any particular order. The chalkboard motif continues and I must say I really enjoy seeing it again. The board is present in basically every episode and plays a part in many stories. Will it be one of Capaldi's fondly remembered motifs? I hope so. The Doctor willingly entering Clara's dream via Dream Crab facehug is one of his many subtle and not so subtle heroic moments that I feel many people miss under his grumpy exterior. Dream-Danny saying he died saving Clara, not the whole world was a nice touch. While I know processing guilt and grief and loss doesn't happen in such a brief time as it is presented here, I think this is a nice way to encompass some of those emotions. I'm glad the Christmas Special didn't shy away from it. Waking up in another dream was a great rug-pull moment. Santa-as-subconscious is lovely and bonkers. The Doctor objecting to being considered a figment of imagination because of how out of place he seems was wonderfully self-aware. The dream within a dream within a dream reveal is even better when you re-watch it and notice the clues. Capaldi is fantastic at delivering long monologues full of emotion and, in this case, dread. Clara saying she's always believed in Santa Claus before hugging the Doctor is sweet. The Doctor's glee at being offered the reigns despite being fully aware he's in a dream is absolutely brilliant. Capaldi can play all facets of the Doctor with verve. The scenes of everyone waking up is lovely until Shona wakes up and you get a sense she didn't want to wake up and all the movie references makes sense. When the Doctor 'awakens' and finds Clara as a much older woman, his comment about not seeing her any different was a nice call back to 'Deep Breath'. Yet another dream within a dream! Finally, at the conclusion of the story we have to friends who have made amends. I quite like it. A nice ending considering the series proper closed out on such a sombre note. Next time: The Magician's Apprentice!

Hopefully all the rambling and out of order business made some semblance of sense to you, dear reader. Until I find a better show in this universe, I remain

frogoat 

Merry MC2 Christmas Everyone!

Have a Happy Holiday and a Great New Year!