Spider-Verse Team-Up #3 Review

This is a re-post of my review from Spidey-Dude.com which you can read here.

Story:

Disclaimer: This review was written before the conclusion of the Spider-Verse event. As such, points raised may later be addressed. Just go with the flow.


Mayday Parker is angry. She wants the other Spider-People to accompany her to the home-world of the Inheritors and rescue her baby brother-here referred to as 'Benny'. The others tell her it's suicide to go there, and the Spider-Totem of this world- Ben Parker- attempts to convince Mayday to stay in the safety his bunker, much the same way he did following his family's death, while the rest of his world was destroyed. Mayday calls Ben a coward and tells him her father would be ashamed of him.
Mayday runs off deep into the bunker, frustrated and angry at the others, telling herself they are imposters and fakes and that they don't understand what it takes to be a hero. Breaking down, Mayday begins crying and admits that the lose of her brother Benny is her own fault, that her parents are dead because of her.

Ben arrives and attempts to calm down Mayday but Mayday tells him that his family would be ashamed of him, that her father would be sickened to see him like this. The two fight it out with Ben admitting that he failed to act after the lose of his family and Mayday making the point that if they stay and do nothing, eventually the Inheritors will swarm in and kill them all.

After working together to fight off Mutant Spiders Ben tells Mayday that she needs to get her emotions under control and again offers her safe haven in his bunker if she'll forget about going after the Inheritors. Mayday tells Ben she can't live without her baby brother as he's all she has left. Mayday adds she hopes there is a world out there with a Mayday Parker untouched by the tragic events she's recently endured, as she will fight for them when she rescues Benny and kills Daemos.

Review:

I have to begin by saying welcome back, Tom, Ron and Sal! It's been too long, gentlemen! The classic team back doing a story with Spider-Girl would normally fill me with unadulterated joy. But under the current circumstances of the Spider-Verse event, I think there was always going to be some reservations going into this adventure.

I love Tom's classic writing style and his ability to pack so much into only ten pages is a testament to his skill. The mere fact that Mr Defalco is writing a very different Mayday from the one he worked so hard to develop for over a decade would make the adjustment jarring. Admittedly it is a different take on the character we see written here. Subtle and not so subtle narration refer to the way Slott characterized Mayday in Amazing Spider-Man #8 and the most recent Spider-Verse issues. A few examples including May calling herself 'Mayday' in her opening narration and referring to her brother has 'Benny' rather than 'Benjy' could be read as an implicit confirmation that this 'Mayday' isn't the Mayday the Spider-Girl crew created. There's also the 'With Great Power Must Also Come Great Responsibility' line which is something May would know. Alternatively this could simply be Tom and Ron attempting to maintain the narrative style put forward by Dan Slott. Or everyone is reading to much into all this, who knows?

A few positive points for me were the interactions between Mayday and Uncle Ben in this story. Essentially, the story is ham-strung by the fact that Ben Parker doesn't change his mind about staying in the bunker until Amazing Spider-Man #13 and Mayday (at the time of writing) has not gotten through her grief, anger and revenge arc, something Mr Slott is likely going to resolve in the conclusion of the story arc. So, what do Tom and Ron do? They USE that as a strength. The interactions allowed Ben and Mayday to call one  another out on their actions and attitudes while also reinforcing their own opinions about how to address the threat at hand. Obviously, neither is 'right' but that's where I found the crux of this story because it's a differing of opinions, rather than a 'right and wrong' dilemma. Ben's desire to stay safe in his hide-y-hole and live with his regret is understandable, but so is Mayday's thirst for revenge and her own desire to save the last of her family. It's a great contrast.

Both Ron Frenz and Sal Busema are on fire for this Spider-Girl reunion! The inking is some of the best I've ever seen from Sal with a soft touch on the shading that really brought out Ron's strengths. Ron's layouts on this issue are astounding! Just take a look at page three of the story: Nine panels. Nine! It's utilizes the space in each panel to demonstrate Mayday's anger, sadness and guilt, using larger panels at the top of the page, progressively becoming smaller as the walls metaphorically close in on her. It's superb storytelling. There were a few coloring mistakes from Andrew Crossley but nothing major. I think his color palette is a great fit for this story. The reds are darker, the shadows have weight and the backgrounds are lit in such a way that you feel how depressing the confines of the bunker truly are.

Ron also put in some possible clues that we are not reading the MC2 Spider-Girl with her costume. For starters, her web-shooters are a different design to those seen in Amazing Spider-Girl. Her spider-emblem is slightly different, using the design from the original Spider-Girl series while the section of blue under the arms is reminiscent of the Amazing Spider-Girl costume design. If that wasn't enough, the eye-pieces on the mask are different to any design I've seen before, with the 'points' near the nose area pointing down as well as having a different size and shape. It's a distinct yet subtle costume shift.

Overall, I enjoyed this story on it's own merits but I feel it was a missed opportunity by Marvel to promote Spider-Girl through this Spider-Verse event. Once again, we are dealing with a very different take on the character when compared to what made her so unique and interesting in her own series'. That makes it hard for a new reader to appreciate what it is that fans enjoyed about May's adventures. That said, I believe Tom, Ron and Sal have all brought their 'A' game to this story and I walked away very happy for having read a good, solid story told well. I'll give it a straight 'A'.

Until the gang returns to write a new Spider-Girl series, I remain

frogoat

Amazing Spider-Man (vol. 3) #8 Review

This is a re-post of my review from Spidey-Dude.com which you can see here.

Story:

Disclaimer: This review was written before the conclusion of the Spider-Verse storyline. Some points raised may later be addressed.

The Inheritor named Daemos attacks the Parker home of Earth-982. Mayday's boyfriend Wes is apparently killed attempting to defend her from being crushed to death by Daemos.


Peter knocks Daemos away from Mayday and tells Mary Jane to save their children. While Peter battles Daemos, Mary Jane tells Mayday to take her baby brother Benjy and flee. Mary Jane rushes to her husband's side as May runs out of the burning family home with her brother. A scream is heard from the house just as Old Man Spider-Man and Spider-UK arrive through a portal.

Mayday begs them to help, but Old Man Spider-Man tells her they can only detect her and Benjy. Daemos emerges from the house dragging the body of Peter. He tells Mayday he will find them no matter where they go. Mayday vows to break every vow to avenge her father and kill Daemos before she disappears into the portal.

Review:

Where to start?

Dan Slott manages to do more to ruin the MC2's Spider-Girl in 8 pages than I ever thought possible. On the other hand, Dan Slott also writes the married Peter and Mary Jane as well as anyone could hope for.

Starting with some positives, I really enjoy seeing Humberto Ramos' depiction of Spider-Girl, brief though it maybe. His kinetic style is perhaps best suited to the action-oriented stuff, but I think he does a fine job showing emotion through the characters faces and body language. I was impressed how much pathos he manged to depict through Mayday's ripped mask with just one eye visible. I did find it difficult to make sense of where everybody was in relation to one another at times and the odd angles chosen sometimes forced me to look twice. I think Victor Olazaba's inks help deepen and distinguish Ramos' pencils, which is usually a good thing. The colors by Edgar Delgado were suitably darker in tone than most Spider-Girl stories and the lighting particularly from the flames worked well to evoke the destructive nature of this story. I'd like to see this art team draw more Spider-Girl someday. The cover to the book by Giuseppe Camuncoli looks amazing too.

But what about the story? The cover's copy reads 'Spider-Girl's Last Stand' and with the accompanying artwork of Mayday looking battered but determined surrounded by destruction, you'd be forgiven for thinking she had agency in her own story. Instead, Mayday starts off pinned by Daemos and already defeated. Wes has more of a heroic moment than Mayday. Then Peter throws himself at Daemos to slow him down so that his family can escape. Then Mary Jane gives Mayday Benjy and steps up to rejoin her husband. Wes, Peter and MJ all take an active role in the story while Mayday spends the entire story reacting.

As a story featuring Spider-Girl there isn't a lot of the tone one would expect. Mayday's character seems lacking. Sure, she monologues and feels responsible for bringing this down on her family and she clearly loves and respects her parents; that much I think was well handled. But the use of 'Mayday Parker' instead of May 'Mayday' Parker is either an error or a clue this isn't really the MC2 character. 'Mayday' is merely a nickname but here Spider-Girl refers to herself this way as though it were her actual name. Even Mary Jane calls her 'Mayday' for goodness sake. There's also the use of 'The Spider-Girl' to describe herself as the definitive Spider-Girl which struck me as odd.

Another quibble of mine was Old Man Spider-Man showing up and simply telling Mayday that it's too late to help because he can't detect any other Spider-Totems. Did Dan Slott forget about the MC2's own Kaine. Or Darkdevil. Or Gerry Drew. Or Jessica Drew. Or Julia Carpenter. Or Mattie Franklin. Or Aranâ. Or Black Tarantula. I know what you might be thinking, perhaps they are already dead? But no, dialogue  from Daemos seems to imply this is his first stop on this world.

There are a multitude of reasons I could rant on about why this story fails, but I think the main reason is simple. This was the first time we'd really seen May in a comic since her series ended four years ago, and the first thing we see is her parents and boyfriend murdered and her family home destroyed. Which leaves us with a very different character leading into the Spider-Verse event. If they wanted to use Spider-Girl, then use her as she has always been portrayed. If they wanted a vengeful and angry character, then why not use a different character? This depiction does a disservice to the fans of the character by making her unrecognizable and does nothing but tear down over a decade of character development and progression.

Worse still, Spider-Girl is no longer viable as a concept with her parents dead.  The whole point of having the daughter of Spider-Man is to show how they interact with one another. Mayday's relationship with her parents is one of the richest sources of drama and development. Spider-Girl was a rare find in comics: a superhero who didn't need a tragic past to drive her. Cutting that out leaves us with  yet another brooding, angst-ridden orphan superhero.

A far more interesting approach to having Spider-Girl in this event would have been to highlight the various strong points of her series: The marriage of Peter and MJ, May's optimism and strength of  character, her ability to see the good in others. There are key moments in Spider-Verse where Mayday's unique perspective could have shone through. Instead she's reduced to spouting rage-filled epithets. It's a true shame.

I think where Dan Slott shows the most promise is with his depiction of the married Peter and Mary Jane and the assertion  that they would never be parted. Which gives a nice piece of tragedy to their deaths, pointless though they may be. I suppose some credit must be given for featuring Wes in the story, though he's really only there to increase the drama by dying. This universe's earth designation is correctly given as 982, which considering the errors in other Spider-Verse stories, is something they got right. Considering what transpires, I don't know if that's a good thing.

Only time will tell if this is all set right at the conclusion of Spider-Verse. On a personal note, my favorite character suffering through the loss of her parents struck me very hard, especially while re-reading the story again. I find it almost cruel and heartless that anyone would write such a story without regard to the consequences going forward. The loss of parent is a life-altering event. I don't feel it was handled with the care and forethought that was needed. I hope there is a plan going forward for Mayday and her family.
All said and told, I really did not enjoy reading this story. A lot of people wanted to see Spider-Girl again, but not like this. Not like this. D-

Until things are set right again, I remain
frogoat