Building a Rogues Gallery

One of the biggest challenges of any superhero comic is building up the rogues gallery. If Spidey didn't have such an impressive array of villains to trounce every story, he wouldn't be nearly as interesting. Yes, the character of Peter Parker is fascinating,  but think: without the dynamics of his and Norman Osborn's relationship wouldn't he be a little less? Without the Green Goblin to torment Spider-Man, life just wouldn't be as flavorful. Doctor Otto Gunther Octavius', with all his plans and arms, and Electro with his electricity, Venom with his dark-Spidey-analog schtick. Cruel old Vulture, cold-blooded and cold-hearted Lizard, stinging Scorpion, Cunning Hobgoblin, tricky Mysterio. The list goes on and on. I may not be knowledgeable about DC Comics, but honestly, Batman's rogues gallery are notoriously notable. The Fantastic Four, The X-Men, so many long-running titles and characters have developed many varied and fascinating villains through the years.

But what are all these new heroes supposed to do? Sometimes, borrowing from other characters works wonders. Daredevil doesn't have many truly great bad guys, but Kingpin fits so well amongst DD's assorted rogues, it's like he was made for the part. Spider-Girl utilised a few of daddy dearest's villains in her adventures. Notable amongst them are the Hobgoblin and Carnage. In fact, I'd go so far as to say ol' Kingsley worked better against Mayday, the cunning older man against the youthful hero. A new twist on an old villain then, is that the answer?

A mix of new villains unique to the character has to be included, surely. Otherwise, isn't it just wholesale theft? Okay, so Spider-Girl has some nice villains too: Dragon King and Mr Nobody are personal favorites of mine. They have a nice visual and both pose a genuine threat when written appropriately. Any villain can become iconic. By tossing a loved one off a bridge, for example. But a good villain shouldn't have to resort to killing cast members. That's cheap. In the case of the Green Goblin, his and Peter's war was personal. The death of Gwen Stacy was a direct result of it, but I don't believe it's the crux of what makes Norman Osborn infinitely re-usable. Osborn himself is interesting: A ruthless businessman with a lot of personality before he ever put on a garish green mask.

I love this art by John Romita Jr

Maybe that's the answer then: A mix of the old and new, the borrowed and true-blue with a lot of character depth and a great visual thrown in for good measure. What do you think?

Until Hypno Hustler gets his own series, I remain

frogoat