Comic Homages

Continuing on from my previous post about homages and all things lovingly referenced, I present to you, my loyal readers (if I have any) a further examination into not just cover homages, but also panels, stories and motifs. Read on.

You may remember a small little post a while back regarding the subtle and not-so-subtle connections between Amazing Spider-man #9 and Spider-Girl #9: Electrically-themed villain, cover parallels, heck, even the same number issue! I'll link it here so you can take a quick peak: http://frogoat.blogspot.com.au/2012/11/supanova-approaches.html

Well, let's go deeper down the rabbit hole, shall we?

A-Next #8 clearly borrows heavily from the classic Avengers #93 (from the absolutely sublime Kree/Skrull War saga) in which Ant-Man enters the body of the inert android Vision to re-activate him, battling his way through the synthetic man's strange immune system in the process. Meanwhile, in the MC2's Avengers Compound, Stinger enlists her father Scott Lang, the second Ant-Man as they venture inside the mechanical Mainframe (spoilers, by the way) to ensure his malfunctioning module broadcasts his intelligence into another body.

Avengers #93 art by Neal Adams and Tom Palmer

A-Next #8 art by Ron Frenz and Al Milgrom

While we are talking about A-Next, I can't go past the most obvious nod to the Avengers past: Avengers #16. The first and most daring Avenger's roster shake-up ever, throwing the established team of Giant-Man (formerly Ant-Man), the Wasp, Thor and Iron Man out in favor of relative unknown's (to say nothing of known criminals and possible terrorists) Hawkeye, the Scarlet Witch and Quicksilver. The impact this had on the fledgeling team is probably the most significant, proving to the readers and the creative team that this little Avengers thing--this could work no matter who was in the book, so long as it was good.

Avengers #16

 Over in A-Next #4 we get American Dream and her Dream Team thrust upon the new fledgeling team of Avengers by the machinations of the mighty Mainframe. Suddenly, the team has to face the possibility of replacement by an already functional and well-trained team. This time we get American Dream (already glimpsed in A-Next #3 and sneakily hidden in A-Next #1. Look closely), Freebooter, Blue Streak and the mysterious Crimson Curse.

A-Next #4

Want more Avenger-y goodness? Avengers #25 features the newbie Avengers (Cap's Kooky Quartet as fan's have since dubbed them) in Latveria, doing battle with the good doctor himself, Doctor Doom (with a name like that, was he ever going to be a horse-whisperer?). A-Next #5 features (you guessed it!) the new members- teamed with Stinger- in Latveria investigating rumors of a returned Doctor Doom.

 This issue not only pays it's dues to the Avengers tale but also to Marvel history, utilizing Doom's ward Kristoff Vernard and building upon old Fantastic Four and Avengers characters and stories. Most of which I haven't read and don't need to to understand the situation. In short: Stinger aka Cassandra Lang and Kristoff Vernard were lovers. Beautiful.

What it adds is also impressive: We hear in A-Next #3 from the Defenders that the 'savage' Sub-Mariner, Namor did battle with Doom. In this tale we discover more tidbits. Scattered through-out the MC2 universe are hints of what happened: Doom wiped out Atlantis, killing Namor's people, and in return, Namor kill's Doom. Or so we are led to believe.....


Until I run out of homages to ramble about, I remain

frogoat

Comic Cover Homages

Being a comic fan for a long time has it's ups and it's downs; watching continuity being reset, reboot, re-tooled or retconned can be annoying and down right frustrating, for example. On the other hand, if you've stuck with the medium long enough, chances are you've seen a few iconic first appearances, a few classic moments, maybe even witnessed a great piece of comic history being made. By a certain point, you've seen enough to notice the homages.

 

 I haven't got a great deal to say about this topic right now, but I guess the visuals speak for themselves, anyway.

 

As you can see from the last couple alone, the MC2 is teeming with love and respect for the classics. Fitting, I think, considering the creators are clearly channeling the feel of the Silver Age, the Bronze Age and even the so-called Modern Age. Why, I hear you ask? It's simple: When something is good, it's good!

Until I quit loving comics in general and the MC2 in particular, I remain

frogoat