Captain America: Brave New World Review

 

A slight detour from my usual content here, so bear with me. Today I want to talk about my initial thoughts having seen Captain America: Brave New World last night. Marvel Studios latest entry in their Marvel Cinematic Universe offers up a paranoid thriller with the usual customary superhero trappings courtesy of director Julias Onah. Not satisfied to merely deliver a reheated version of Captain America: The Winter Soldier, this film explores themes of growth and change along with challenging perceptions both of ourselves and others.

 

With President Thaddeus ‘Thunderbolt’ Ross’ first 100 days in office coming to a close, he is desperate for his Adamantium Treaty to be finalized so he can cement his legacy and redefine public perception and, more personally, win back the approval of his long-absent daughter, Betty. However, unseen forces are conspiring to ensure the whole world learns the unsettling truth behind the President’s rise to power and tip the world into chaos and war. The new Captain America, Sam Wilson works to uncover the truth and free his framed friend, former solider and unjustly imprisoned Super Soldier Isaiah Bradley. With so much at stake, can Sam prove himself worthy of the shield and save the day with the President of United States against him?

 

Julias Onah evokes political thrillers such as All The President’s Men and Day of the Jackal in tone and the reverence for the genre is on display right from the movie’s earliest scenes. With the future President framed from behind bulletproof glass for his public addresses and the use of gloom and low-lit scenes to remind the audience things are not as positive as we would perhaps like them to be in Washington, this movie slowly builds anticipation for the inevitable. Perhaps it was just my V-Max screening, but the use of softer, grainier lenses which sharply focus the camera on the frame’s central figure really lends itself to the era of Watergate scandals and intrigue.  

 

Anthony Mackie is Captain America. I am not being hyperbolic; he embodies the character perfectly. While Chris Evan’s performance as Steve Rogers was a moral man who was decisive and unwavering in his beliefs, Mackie’s Sam Wilson is a very different man but one equally fit for the role of Captain America. Mackie delivers a Sam who has made peace with assuming the role but still has self-doubt. Where he shines is implementing the character’s compassion and willingness to consider a person’s desire to do better, to be better. This element is partly informed by Sam’s past as a soldier and as a counsellor for veterans and therein lies a key aspect of the film’s narrative that I am sure many will overlook. Sam encourages Isaiah Bradley to take a chance and step out from the trauma of his past, he inspires Joaquin Torres to be a real hero by his actions and he manages to find common ground and empathy for Thadeus Ross despite their own complicated past and differing opinions.

 

Harrison Ford has always been a fantastic actor and his performance in this movie is no exception. He truly assumes the role of the late William Hurt and finds the humanity and vulnerability inherent in the lonely, elderly Thadeus ‘Thunderbolt’ Ross without making his temperament any less strong. Embodying elements that were already there and delivering what is the culmination of a 17-year character arc across multiple films is a big ask for anyone stepping into another’s role, but Ford handles it with ease and respectable grace. While Ford may be at ease, Ross is most definitely not, with his on-screen political career on the line he is evidently stressed and tense. Previous Ross appearances referred to the character’s heart condition and the movie manages to weave this into the plot in a satisfying way, along with significant elements from 2008’s Incredible Hulk.

 

Carl Lumbly really breaks my heart as Isaiah Bradley, you can really feel his pain when he talks about his past and his justified distrust of the government. His plight, framed for an attempted assassination of President Ross, acts as the central motivation for Sam to investigate the shady plot. This was the right method to make things personal for the character. Sam feels responsible for putting Isaiah in the situation and if he cannot exonerate him, Isaiah will be sentenced to death or face the rest of his life once again unfairly behind bars. Meanwhile Lumbly does not want to pull Sam’s good name down with him, despite his own dire situation. The dynamic between them and that of Danny Ramirez’s Joaquin Torres are some of the most genuine and grounded relationships in the film and it is a shame we did not get more scenes of the three of them together.

 

Giancarlo Esposito, a late addition to the film, works well as the leader of the Serpent Society known as Sidewinder. Esposito is clearly having a great time in the role but his character while a fun element of the movie doesn’t do much more than act as an intermediary for the real mastermind of the piece. I am glad Sidewinder was not killed off, at least, leaving us the potential for a future return. Good to see Giancarlo flex his action muscles, too.

 

I think Tim Blake Nelson as Samuel Sterns was one of the elements of the film that received the least media attention in the lead up to its release, neither positive nor negative. Ironically, he is one of the best parts of this movie. A versatile and infinitely changing actor, it is a great shame we have not seen him return before now. Fortunately, the long-dangling plot thread of his character’s absence for 17 years pays off with his performance which is equal parts creepy, manipulative, calculating and cold. I am delighted audiences get to see Nelson deliver on the Incredible Hulk film’s promise, though I am slightly unhappy we did not get as much of him as I had hoped. Nelson was pleased with the implementation of practical make up and prosthetic effects to achieve the character’s appearance and I feel his initial scenes, barely lit in shadow with a chilling voice and glinting green eyes helped enhance this effect.

 

As I write this I am listening to the utterly captivating soundtrack by Laura Karpman. It is no exaggeration to say this is one of my favourite new Marvel scores. Its deeply rooted influences in the bygone spy and espionage thrillers, political dramas and nailbiters of the 1960’s and 70’s are delivered with pitch-perfect attention to detail. The undercurrents of intrigue and mystery rising to a crescendo and crashing like waves as they mix with the more action-laden bombast and soaring superhero elements. My heart was pounding as the music suddenly ramped up and began beating out a breakneck discordant drumming rhythm. Truly an experience to be heard in the surround sound of cinema. I love this soundtrack.

 

Not satisfied with serving up more of the same in terms of the action sequences audiences have come to expect in a Captain America film, Julius Onah has gone for a more grounded, down and dirty approach for the hand-to-hand combat. Not juiced up by a Super Soldier serum, Sam Wilson uses everything at his disposal to take down his opponents, with a more meat and potatoes fighting style whenever he finds himself without wings or a shield. This grittier and dirtier choreography might not play quite as flashy or impressive, but it works to make Sam feel more vulnerable and his wins more hard-earned. The addition of his iconic wings, now made from the sturdy and energy absorbent Vibranium, present new opportunities to deliver never before seen manoeuvres and tricks. An action highpoint would have to be the aerial dogfight over the newly emerged Celestial Island, with both Captain America and the new Falcon, Joaquin desperately trying to stop an international incident breaking out by stopping rogue United States pilots attacking Japanese forces.  

 

The computer-generated effects, particularly on the Red Hulk and during the aerial combat sequences are very well integrated into the frame. For my money, this is the best any Hulk has looked onscreen since 2015’s Avengers: Age of Ultron. Harrison Ford’s likeness is faithfully captured in the facial expressions of his crimson counterpart without losing the monstrous aspect of the towering figure, with the physicality and brutality remaining intact. There are a few minor moments in other sections of the film where it is evident the visual effects team had to work on a tight schedule, but nothing that would take you out of the scene.

 

While there’s always room for improvement and a difference of opinion is always expected and even welcomed, I feel the Captain America: Brave New World does a very solid job making a three-course meal out of the various ongoing narrative threads only a long running shared universe like the Marvel Cinematic Universe can provide. Thunderbolt Ross has gone from a decisive, driven military man of action who relentlessly pursuing Bruce Banner aka the Hulk across continents to advance his career at the expensive of his relationship with his daughter Betty, to a lonely man at the height of his political career who wants nothing more than to change how the world sees him and win back the love of his daughter. Ross once saw Banner as a monster and now because of his actions over the decades, becomes a metaphorical, literal and physical monster himself.  

 

Further to this, Sam’s own history with Ross informs and colours his perception of the President, which heightens the tension in their scenes together. While Sam feels he must constantly prove himself and live up to the mantle of Captain America, he is striving to see the good in people and that is the crux of this films theme.  Early on, Ross extends an olive branch to Sam, an example of his desire to move forward and make amends for his past actions. Likewise, Sam takes this as a sign that things can improve between them but following the attempt on his life, Ross quickly reverts to his old self and dismisses Sam. The real meat of this dynamic is a scene where Thadeus Ross discloses is desire to reconnect with Betty, recalling how they used to walk among the cherry blossoms together, which pays off in the films climatic fight between Sam and the Red Hulk. If I had to criticise an element of this final battle, it’s how quickly the tension is resolved, though I feel it’s earned by the previous groundwork the movie has laid between them, with Sam appealing to Ross’ sincere desire to do better.

 

Overall, Captain America: Brave New World is not going to win over any haters, many of whom have risen in recent times to decry nearly every Marvel movie the latest failure if it is not utter perfection. But this just might restore the hope of some Marvel movie fans who still want to hold on to hope, myself included. I may revisit my opinions on movie after further viewings but for now, it is a highly competent film that demonstrates the strengths of Marvel Studios. If you are looking for it to outdo such lauded entries as Captain America: The Winter Soldier, the high benchmark for the Studio, you’ll come away disappointed, but if you go in with an open mind and willingness to give it a chance, it might just surprise you.

 

 

Until I find another movie that features a red President trashing the White House, I remain

 

frogoat

 

 

 

 

President of the United States of America in the MC2

 

In my part of the world there is an election on the horizon, which inspired me to finally cover the most non-controversial aspect of the MC2: Politicians! Today I’m going to introduce you all to the President of the United States of America in the MC2.

 

The President of the United States of America during the present-day era of the MC2 is none other than George Washington Bridge. For those unfamiliar, G.W. Bridge first appeared in X-Force #1 and was a high-ranking member of the spy organisation S.H.I.E.L.D. and a long-time member of the time-travelling Cable’s mercenary team Six Pack. While he’s a solid existing Marvel character to draw on when selecting a fictional President, I suspect he was chosen as much for his name which has a nice ring to it as any other reason.

 

The MC2’s G.W. Bridge made his first appearance in Spider-Girl #31, glimpsed on a video call with Tony Stark which gets interrupted by a depowered Spider-Girl who comes crashing into Stark’s office riding a Goblin Glider. Naturally President Bridge offers to call S.H.I.E.L.D. but is dissuaded by Stark. This issue was released in early 2001, so it’s kind of forward thinking (or predictive) of the creative team to feature an African American as President.

 

While President Bridge doesn’t technically appear, we do hear from his Special Advisor (and former Avenger) the Vision in Last Hero Standing #3. Vision reports that the President is concerned about the recent rash of super hero disappearances present a possible security threat to the nation.

 

In the follow up mini-series Last Planet Standing, President Bridge does make a few on-panel appearances, starting with #1 when he discusses the missing Fantastic Five (led by Reed Richards) and the current team of Avengers with Vision. The President is not filled with confidence by the present line up of heroes defending the world.

 

 In Last Planet Standing #2 Vision informs the assembled Avengers that he has been sent by President Bridge to coordinate and supervise all efforts to safeguard the world in the Fantastic Five’s absence. This news is not well received by the Avengers.

 

In Last Planet Standing #3, the Fantastic Five manage to establish communication with the President and update him on the nature of the threat to the planet. President Bridge also asks Vision to convey his sincerest gratitude to the Avengers, placing the Fantastic Five in charge and putting the Avengers on standby, an instruction that is not well received either. Vision points out that as a government-sanctioned team they all serve at the will of President, though Stinger maintains that they are volunteers and shouldn’t be on the sidelines in such a situation. Soon after, the whole Avengers team disobey orders and head off to join the fight as Galactus’ Herald arrives on Earth.

With the world-threatening crisis deteriorating, President Bridge contacts the Fantastic Five only to be brushed off by Reed Richards who tells him that the use of nuclear weapons would be both futile and tragic as it would have no effect on Galactus (Last Planet Standing #4).

 

With the Fantastic Five, Avengers and various other heroes failing to stop the threat of Galactus, the President asks one of his advisors how soon they can attempt a nuclear strike. Learning this would require hours to evacuate ground forces and days to clear the civilian population, President Bridge states ‘I hate this job.’ (Last Planet Standing #5)

 

When Doctor Doom returns imbued with cosmic power and sends his virtually indestructible Doombots across the globe to dismantle the world authorities, President Bridge holds an emergency meeting with his advisors and other major governments before determining his course of action. With no other option, G.W. Bridge contacts Doctor Doom and informs him that the governments of the world have agreed to surrender to save millions of lives (Fantastic Five vol.2 #4).

 

With a cosmically powered Doombot hovering above the White House, President Bridge holds a secret meeting with Tony Stark, Vision and Mainframe. The President learns the Avengers have defeated one of the Doombots and Stark believes he can eventually design a program to jam the robots but things look grim. After Doctor Doom is defeated, President Bridge discusses the need to attempt to reverse engineer the Doombots despite his desire to simply melt them down. Tony Stark admits he has tried to replicate Doom’s technology and discloses it’s impossible. Stark concludes they own the world’s safety to Reed Richards.

 

President Bridge has a secret conversation with a shadowy figure (actually Nick Fury of S.H.I.E.L.D.) about the accidental release of ‘Specimen 297’ (a piece of the Carnage symbiote) on the streets of New York City (Amazing Spider-Girl #10).

 

Finally, in Amazing Spider-Girl #16 we hear from one of G.W. Bridge’s special advisors that the President is strongly committed to aiding the people of China. Following Doctor Doom’s attack on the Chinese Government during his attempt to conquer the world, the country faces an economic crisis which affects the entire global community. During his public appearance in Paris, this special advisor is assassinated by the invisible mercenary Deadspot.

 

That’s it for today, folks. Maybe in the near future I’ll dedicate a post to more politicians in the MC2? Don’t forget to take part in the democratic process by voting. We’d hate for a Doctor Doom-type to try to take over the world now, wouldn’t we?

 

Until I figure out how to fill in a ballot, I remain

 

frogoat