Showing posts with label Tom Defalco. Show all posts
Showing posts with label Tom Defalco. Show all posts

Sunday 5 January 2020

Spider-Girl 2020


With the futuristic year 2020 ushering in a new comic event commemorating the characters of Earth-8410 aka 2020 A.D. - most notably Iron Man 2020- I figured now would be a perfect time to acknowledge the overlooked superheroine in the room: May Parker of Earth-8410 aka Spider-Girl 2020.





While I may have briefly touched on the 2020 in the distant past, this will be a more focused look at the character. To begin with, the character is not a comic book native, making her first (and to date, only) appearance in a novel. Written by Tom Defalco and eluki bes shakar (now legally known as Rosemary Edghill) with interior chapter art by penciller Tom Grummett and inker Doug Hazlewood, X-Men & Spider-Man: Time’s Arrow Book 3: The Future was first published in 1998 with a September release date listed on its interior pages. This third and final book in the Time’s Arrow trilogy of novels by Defalco (paired with a different co-writer for each book) marks the debut of Spider-Girl 2020 in its fifth chapter which takes place in -you guessed it- the year 2020 A.D.!





The story sees Spider-Man (the Main Marvel Universe or Earth-616 version, according to the Official Handbook of the Marvel Universe: Alternate Universes 2005) on a mission with Cable of the X-Men and Aliya of Earth-9870 to prevent Kang’s destruction of various alternate worlds.  Having been hired by Kang to stop the heroes, Earth-8410’s Arno Stark aka Iron Man of the year 2020 recruits his reality’s Spider-Girl under the pretext of protecting her territory Queens, New York.





It’s here we learn that this world’s May Parker had lost her own father, and had followed in his heroic footsteps during her freshman year of high school, aged only 14 years old. May notes she can’t remember a time when she didn’t know her father was Spider-Man, and recalls how he died with his secret identity intact, leaving some people mere years later to believe the web-swinger was still alive. May, now ‘twentysomething’ still lived with her mother Mary Jane Watson-Parker due to the housing crunch. Mary Jane was initially not pleased when May announced her intentions to suit up as Spider-Girl at such a young age. May works as a ‘page designer’ for Cadence Communications Corporation… which I guess makes her a web designer, right?



Operating as one of 2020’s last lone vigilantes or ‘Independents’, Spider-Girl protects her territory of Queens, New York from ‘incursions of Wreckers, Illegals, rioting Vidiots or worse’. As for powers and abilities, this Spider-Girl has inherited her father’s spider-like ability to stick to walls, strength, speed and agility, which are described as being equal to the original web-head’s own. May also utilizes ‘gold bracelets of cylinders’ on both wrists that fire explosive ‘venom blasts’ that produce a poisoning effect in their targets. Presumably these are dual-purpose web-shooters, as Spider-Girl is also seen spinning webs. It’s not clear if this May Parker possesses a spider-sense, though she does appear to detect people rather quickly.




As for her costume, I think it’s worth using some direct quotes to demonstrate how the chapter illustrations by Tom Grummett (though absolutely beautiful) do perhaps differ from the books text descriptions. Spider-Girl is first described as wearing a ‘tight scarlet-and-blue combat suit’ with a ‘spill of red hair down [her] back’ beneath which ‘her eyes were invisible behind the white shields of her mask’. For the most part, Spider-Girl is referred to while in action as a ‘red-and-blue figure’ and angrily notes when seeing Spider-Man that his costume is an echo of her own. When Spider-Man catches clear sight of Spider-Girl we get a more detailed portrait spelled out: ‘Her costume was red and blue, just like his, with a black pattern of webbing against the red. Around each wrist she wore a gold bracelet of cylinders-possibly the source of the blasts she’d bracketed him with-and a half-mask above which her long red hair whipped around her face like Medusa’s snakes.






 This combined with the mentions of the costume being red and blue (rather than blue and red) and Peter noting it’s ‘so like his own’ make it seem as the design is meant to more closely resemble the original Spider-Man design. That said there is this one quote that might balance out the artwork somewhat; ‘May Parker had always known that she’d grow up to wear the webbed mask and the famous blue and scarlet garb.’ When added to a brief mention of the first two Spider-Women, it might help explain the potential discrepancy. Either way, I’ve grown to like the Tom Grummett's Spider-Girl 2020 design, even if it does seem to be missing the gold web-shooters.






As for the actual story, accompanying Arno Stark’s Iron Man and his Iron-Bots into the sewers beneath Queens, where they encountered Spider-Man, Cable and Aliya, Spider-Girl is shocked and angered to encounter an apparent imposter posing as her deceased father. When the trio of dimension-hopping heroes briefly escape, Arno brings a subway stop’s ceiling down on them, against the heroic Spider-Girl’s protests. However, Spider-Man and company are rescued from the rubble by Machine Man and his friends, the Midnight Wreckers. When Arno returns to finish the job, Spider-Girl again battles Spider-Man until he unmasks and convinces her of his good intentions. With Iron Man knocked out of commission, Spider-Girl orders his Iron-Bots to retreat, allowing Spider-Man, Cable and Aliya to complete their mission.






Unfortunately, that’s it for this Spider-Girl, except to say her appearance in the Time’s Arrow novel was later confirmed as taking place in the same 2020 A.D. as various other characters in The Official Handbook of the Marvel Universe: Alternate Universes 2005. That is, Spider-Girl 2020 shares the same universe as not just Arno Stark’s version of Iron Man but also Machine Man, Death’s Head and Wild Thing (no, not that one! This one’s name is Nikki Doyle). The coloured image of Spider-Girl 2020 originates from the aforementioned handbook as part of a composite image of various denizens of that reality by various artists. The composition, colouring and art reconstruction were (I believe) the work of Scott Elmer under the pseudonym Pond Scum. I mention this as there only exist two official images of the Spider-Girl 2020 character, and this is, to date, the only one reproduced in colour.






Notably, writer Tom Defalco is the co-creator of the world and various characters of Earth-8410’s 2020 including Arno Stark, the Machine Man of 2020 and the Midnight Wreckers and afterwards would frequently reference them in his other work. Or at least he used to, before he conceived the MC2 Universe with frequent collaborator and handsome devil Ron Frenz. I’d absolutely love to see a small crossover with these two Tom Defalco-created Spider-Girl’s, especially because they have such varied stories, ages and costumes and present very different iterations of May Parker.





Until I stop living in the far-flung year of…erm…. the present, I remain



frogoat






Tuesday 26 November 2019

Who is the Fast Lane Spider-Girl?!




‘Fast Lane’ was the name of an infamous 4-part anti-drug story inserted into the middle of basically every comic Marvel published every second month between September 1999 and March 2000 including the MC2’s Spider-Girl, Fantastic Five, Wild Thing titles. Created by the Marvel Creative Services in conjunction with the White House’s Office of National Drug Control Policy, the story was written by Glenn Herdling with pencils by Gregg Schigiel (who contributed gorgeous art to Spider-Man: The Ultimate Guide by Tom Defalco) with inks by Richard Case.






But why am I talking about this particular story here? Well, you see in Part 4 of the story "Back on Target” there’s an absolutely amazing double splash page featuring various Marvel Heroes all helping out at the site of an accident. The heroes include Thor, Iron Man, The Fantastic Four, Storm, Wolverine, Wonder Man, She-Hulk, Captain America and Spider-Girl. Wait… what?!







Obviously, this story doesn’t take place in the MC2 and that’s not May ‘Mayday’ Parker, so what’s going on? This was a mystery that used to bother me as a young reader, but nowadays looking up information is a lot easier. Curiously, both the Marvel Chronology Project and Amazing Spider-Man: Official Index to the Marvel Universe not only identify the character as being the Mattie Franklin incarnation of Spider-Woman but also place it within the Main Marvel Universe after the events of Amazing Spider-Man (Vol. 2) #14 and Spider-Woman (Vol. 3) #9. To be fair, the Official Index chooses to err on the side of caution with notes clarifying “If Fast Lane is in continuity, it takes place shortly after that issue” and “Spider-Woman called “Spider-Girl” here” in an attempt to tie up the matter.






While an admirable effort, there are a few problems with this explanation, the first being that Mattie Franklin never used web-shooters such as those visibly worn by Fast Lane’s Spider-Girl. The second issue is why Mattie would even use webbing in the first place, given her ability to fly. Thirdly, Mattie was never seen in the costume depicted. On this occasion, I’m going to have to disagree with the idea that this character is Mattie Franklin and that the story takes place in the Main Marvel Universe.






So, what’s going on? Well, for answers we have to take a look at an article on Comics Alliance about the Fast Lane story, which includes some great insight from the artist himself Gregg Schigiel. Here’s an excerpt:


Just above that, there's a Spider-Man type girl who's saving a kid…that was a version of Spider-Girl that Marvel's Creative Services was working on at the time, that if memory serves, I helped design. I'm not sure what the endgame there was (clearly something licensing-related), but I only ever drew her here and as a kind of paper doll cut-out type thing, which I think was meant for presentation purposes. In perfect late '90s fashion she has a bare midriff and capri pants



So that confirms it, then. This is not intended to be Mattie Franklin nor Mayday Parker, though the character does perhaps borrow some elements from both characters, notably the former’s hair style and the latter’s heroic identity. As for what licensed products this Spider-Girl design wound up being used for, I believe these contemporary dress-up costumes were part of the merchandising endgame Mr Schigiel mentioned:






Special thanks to Ron Frenz for providing the above image, because it is now seemingly impossible to find online anywhere in the present day. Mr Frenz would reference this costume design with both the cover and interiors for Spider-Girl #91, showcasing it during a scene centred around the Spider Shoppe, a boutique specializing in Spider-Women-themed apparel.








I guess that brings us full circle back to the good ol’ MC2. If anyone has anymore information about this unnamed Fast Lane Spider-Girl, please let me know! A huge thanks to arias-98105, Ron Frenz and the Comics Alliance website for their various contributions to this post, otherwise I’d have no idea what I’m talking about!



Until I find more obscure, unimportant and largely pointless facts to impart, I remain



frogoat




Wednesday 20 November 2019

Confirmation - Spider-Girl: The Complete Collection Vol. 3 Is Coming!




Thanks to arias-98105 for the heads up on this one! It's still very early days, but based on preliminary information posted on the Hachette Book Group website, we have the closest thing to confirmation that Spider-Girl: The Complete Collection Vol. 3 is on it's way next year. Here's a link to the page and the text from the solicitation:

Spider-Girl: The Complete Collection Vol. 3

  • ISBN: 9781302923716
  • Publisher: Marvel
  • Imprint: Marvel
  • On Sale: Aug. 11, 2020
  • Format: TRADE PAPERBACK
  • Edition: N/A
  • Price: $44.99 ($57.00 in Canada)
  • Category: COMICS & GRAPHIC NOVELS
  • Territories:
  • Size: 6-5/8" x 10-3/16"
  • Pages: 448
  • Unit Weight: 0
  • Carton Weight: 0
  • Carton Qty: 40
  • Country of Origin: USA
  • Substitute ISBN:
  • EAN: 9781302923716


Description: Who will lead the New York underworld? Will the Green Goblin go good or give grief? What secret is Mary Jane keeping? And who is the mysterious new Spider-Man? There are plenty of questions to answer as the adventures of May "Mayday" Parker continue! As a vicious gang war heats up, Spider-Girl struggles to keep order - but when a longtime foe is killed in the crossfire, May finds herself targeted by his family! Can the newest New Warriors help Spider-Girl win the war and survive two vengeance-crazed villains? Wall-crawling gets crowded when a new Scarlet Spider swings into action - and Peter Parker mulls a return to the webs! But even with her dad as backup, can May defeat Apox the Omega Skrull? Plus, startling secrets of Mayday's past are revealed! Guest-starring the Fantastic Five!

COLLECTING: SPIDER-GIRL (1998) 33-50



While, as I mentioned, it's still very early and these sorts of things are often subject to change, I have to mention the apparent omission. While it collects Spider-Girl #33 through to #50, this chunk of issues has usually been reprinted together with Spider-Girl #51. You may remember Spider-Girl #51 was an inventory story written by guest writer Sean McKeever with art by Casey Jones which introduced the character Aftershock. As an inventory story, it does not fit seamlessly between the issues published immediately before and after it's publication. Spider-Girl #50 sees Mayday hang up her costume and quit only to seemingly have returned to her super heroic career without any explanation the following issue with this strange story order.




For reference, the Spider-Girl Digests, which were previously the closest we've gotten to a full reprinting of the original series, placed the story in Spider-Girl #51 between Spider-Girl #35 and #36 in Digest Vol. 7. I think this is a perfect place to put the story, as May had recently regained her powers in Spider-Girl #33, Mary Jane is not visibly pregnant at this point in the series (whereas she was around #50) and the ongoing plots at the time had a natural gap which allows for the addition of further unseen adventures.




Hopefully, the wonderful collection editors at Marvel will see this and make the change before the Volume goes to the printers. It's worth mentioning Spider-Girl: The Complete Collection Vol. 1 changed the placement of the Spider-Girl #1/2 story from the placement seen in the Digests. Whereas the Digests reprinted Spider-Girl #1/2 directly after Spider-Girl #21, the Complete Collection putting the story right after Spider-Girl #13. I'm curious about where future issues and side-stories that haven't been collected together will be ordered or placed.

Until I stop caring about such sill things, I remain

frogoat

Sunday 1 September 2019

Studio Ghibli and the MC2

My partner adores the animated features produced by Studio Ghibli, an animation film studio based in Japan. From their deeply emotional films such as Grave of the Fireflies to it's whimsical and charming productions like Kiki's Delivery Service and My Neighbor Totoro, it's clear to see why Studio Ghibli is so highly regarded for it's attention to character and focus on beautiful animation. It might seem an unlikely connection, but as a tribute to my wonderful partner, I'd like to do a brief posting about the time Studio Ghibli made an appearance in the MC2.




Totoro is a large cuddly forest spirit that appears in the 1988 Studio Ghibli film My Neighbor Totoro. Since his first appearance on screen, the character has become an icon, appearing on all sorts of merchandise and even being integrated into Studio Ghibli's logo and branding. The character has even been seen in the Disney Pixar film Toy Story 3 as a plush toy. But more importantly, Totoro appeared as a cameo in an issue of Spider-Girl.

Spider-Girl #51 is notable for being the only issue of the Spider-Girl not written by Tom Defalco, as it was originally a stock story commissioned in the event of a tight deadline. Written by Sean McKeever with art by Casey Jones, the story is about an unnamed student at Midtown High who has a crush on May 'Mayday' Parker and writers her a letter the day he leaves town. But more importantly, it features Totoro!




Yes, the lowly freshman student's best friend Kari carts her school books around in an adorable Totoro backpack. It's nothing earth shattering, but it's a nice little nod and seems appropriate for a teenager to tote such a cute piece of merchandise. I'm willing to bet that this was an inclusion from artist Casey Jones as it's not mentioned in dialogue. But that's just my guess.

Enjoy your time together and be good to one another, people. Love you, Sugar Plum!

Until I stop seeing pop culture within pop culture, I remain

frogoat


Friday 9 August 2019

Spider-Girl: The Complete Collection Vol. 2

It doesn't feel all that long ago that I reviewed Spider-Girl: The Complete Collection Vol. 1 and here I am again nearly exactly 365 days later, taking a look at Vol. 2. Collected in this trade paperback release we have Spider-Girl (1998) #16-#32 by Tom Defalco, Ron Frenz and Pat Olliffe.



While it's not my intention to review the issues within the collection, I have to admit, flipping through these stories I was transported back to my youth, to a time when I had nothing but wonder and joy for the medium of comics, when I first fell in love with the Spider-Girl character, her supporting cast and her world. There is so much to enjoy in these stories, with subplots and threads pulling together in surprising yet natural ways. There's a sense that any teething issues the creative team may have had are gone and now they are delving deeper into all the characters and giving us a richer and more fleshed out look at the established cast. 

When I wrote my review for the first volume in this collection, I wasn't aware of  some of the complaints I've since encountered online. While I mentioned the flimsy cardstock, I didn't have as much of an issue with the paper quality, but in hindsight I can see why this would be frustrating. As a fan of the series, I really want to see these issues reprinted in the best possible quality. It's also worth mentioning that I received another copy of the first volume with several missing pages in the weeks following my review, which after my initial anger I decided was perhaps worth retaining as a misprinted edition, even if it never amounts to any monetary value. With all that out of the way, the card stock for Volume 2 appears to be ever-so-slightly thicker than it's predecessor. Meanwhile, the glossy pages of the interior seem to be much the same. I've not noticed any issues with the printing process, nor have I encountered any missing pages, crinkling along the spine or even dints and folds in the cover. 

The cover is, in my humble opinion, a much more appealing choice than the first volume. Vibrant colours, a great layout and design with mood and menace and atmosphere emanating from every corner and an honest to gosh great looking Spider-Girl and maniacal Goblin looming in the background really made me want to crack this thing open and dive into the story. 

I think the choices of which issue to start and end the volume are solid. Despite my personal preference to package Spider-Girl #17 as the final issue of volume 1 because I feel it's a good culmination of her early adventures, I can't deny it would have made for an odd second volume 2. If the second volume had started with Spider-Girl #18 and had to close out with #32, it would be smaller volume and the only alternate then would have been to collect a few further issues such as #33-#34, meaning chopping up a few of the next major ongoing story arcs. Plus, this way the volume ends on a great cliffhanger. All in all, I think this was the best option. 




As for additional material, there is far less on offer here than last time, with only three pages in the back reproducing inked covers to several relevant issues in the collection in addition to two pages reproducing various inked pages of art from the stories. While these are a nice inclusion, I think printing several covers and interiors per page is a mistake. I'd much prefer to view Pat Olliffe and Al Williamson's art one-per-page so they can be better appreciated.

With that all said it's still a great collection, and currently the best way to physically read these issues. If you have the spare money, I'd recommend picking it up. If you don't have the money, I believe these stories are now available digitally through Marvel at a high quality too. Here's hoping the other MC2 titles get similar treatment in years to come.


Until I stop buying, disavow the MC2 and get legally declared non compos mentis, I remain

frogoat



Saturday 6 July 2019

Mysterio in the MC2

Yes, Spider-Man: Far From Home has just hit cinemas. No, I'm not going to review it. I don't like to be too negative on this blog if I can avoid it. But I will be shamelessly cashing in on it's popularity by talking about Quentin Beck aka Mysterio in the MC2



So where is Mysterio in the MC2? Short answer: He's almost certainly dead. Long answer? Well...that requires a little history lesson. As I've previously touched on in my History of the MC2: Daredevil post, it appears that the events of the 'Guardian Devil' arc published in Daredevil (vol. 2) #1-8 unfolded in much the same manner in the MC2 as in the Main Marvel Universe, except for the break up of Foggy Nelson and Liz Osborn in #8 as they remained a couple and eventually married in the MC2. With 'Guardian Devil' playing out in the MC2 as it did in the Main Marvel Universe, that means that Quentin Beck, the original Mysterio also committed suicide as depicted in Daredevil (vol. 2) #7.








But if you aren't convinced, let's take a look at more evidence. The Spider-Man Family one-shot comic published in 2005 features a lengthy flashback to an adventure involving Spider-Man meeting Araña and uncovering a revenge plot by the villainous Jack O' Lantern aka Maguire Beck. So why is this relevant? Because -as Peter explains to May- Maguire Beck was out for revenge for her deceased relative, Quentin Beck aka Mysterio




Now here's where it gets a little bit complicated. Maguire Beck was only officially revealed in a mini-series called Spider-Man: The Mysterio Manifesto published in 2001 to address several loose plot threads surrounding Mysterio, including why a Mysterio claiming to be the original was seemingly back from the dead in the Spider-Man titles around that time. As an aside, I should mention that the mini-series retconned Maguire as one of the two people behind the super villainous Jack O' Lantern who first appeared in Spectacular Spider-Man #243, written by J.M. DeMatteis and published in 1997. The mini-series seems to suggest Maguire's partner in crime, Daniel Berkhart was posing as the original Mysterio at the time, a fact clarified in the Official Handbooks.





With all of that out of the way, these various stories support the idea that not only did Quentin Beck kill himself in the MC2 as he did in the Main Marvel Universe, but that at least some version of the events depicted in The Mysterio Manifesto must have occurred for Peter Parker to learn of Maguire's identity and motives as demonstrated in the Spider-Man Family story. Rest in Peace, Mysterio.

On another related side-note, I should mention that both the Spider-Man: The Mysterio Manifesto mini-series and the Spider-Man Family story were written by none other than MC2-alumni Tom Defalco. Despite this, Manifesto seems to imply that Maguire is Quentin's cousin whereas the Spider-Man Family story explicitly states she is Quentin's niece. A small goof, perhaps?






 Mysterio Manifesto also makes reference to Quentin Beck's father and uncle, both of whom were first referenced in Webspinners: Tales of Spider-Man #1 (1999) which was written by J.M. DeMatteis. I mention this because it's a nice use of established continuity but also because it helps reinforce the idea that Maguire's father was Quentin's uncle. It's also possible Maguire Beck simply called Quentin her 'uncle' colloquially, as a term of endearment and there's another unseen sibling of Quentin who had a daughter, though there's nothing to support this idea. There are even a few references to the Webspinners story in Daredevil (vol. 2) #7, tying all these Mysterio connections together. 










So there you have it; some version the events depicted in Daredevil (vol. 2) #1-7, Webspinners: Tales of Spider-Man #1-3 and even Spider-Man: The Mysterio Manifesto #1-3 also played out in the MC2 and we know this all because their was such tightly linked continuity across various writers, artists, titles and characters. 

I have to give special thanks to regular reader and frequent co-conspirator arias-98105 for help with this topic as well as to the wonderful Marvel Appendix Profile for Maguire Beck which can be found here.

Until I stop diving down mysterious and complicated rabbit holes, I remain

frogoat