Tigra in the MC2

 

I am late to the party as always but since she has made it to the big leagues with her first movie appearance in the Disney+ original film Chip ‘n Dale: Rescue Rangers, I wanted to throw some attention toward everyone’s favourite were-tiger, Greer Grant Nelson aka Tigra in the MC2.

 

Greer Nelson first appeared in 1972’s The Cat #1 as the titular character, before she later gained her feline form and identity as Tigra in 1974’s Giant-Sized Creatures #1 where she appeared alongside the Werewolf By Night.  Finally, Tigra gains a power boost and a tail in the pages of West Coast Avengers #15 giving us her iconic look as it’s known today. 

 

Anyone who frequents this blog regularly (all two of you) will know I usually try and identify when a character’s last Main Marvel Universe published appearance occurs prior to the point of divergence into the MC2. For Greer this turned out to be extremely easy, as Tigra appeared in 1995’s Avengers #382 or more accurately the flipbook version titled Marvel Double Feature: Avengers/Giant-Man #382. This features the last of a 4-part back-up tale (written by the late great George Perez, no less) following Hank Pym where Tigra makes a brief appearance. Tigra does not appear again until Avengers (vol. 3) #1-#4 which as I’ve mentioned previously seems to be the point at which events for the MC2 Avengers really diverge, at least assuming Wonder Man stayed dead.

 

As I’ve discussed previously, we know the original Avengers team’s last mission was nearly 12 years prior to the events of A-Next #1, as mentioned by Jarvis when he recounts the details to the new Avengers. Tigra is seen amongst the assembled Avengers during the flashback where it is decided the team must venture through the portal to the alternate world to halt Doom’s multiversal threat. While it is difficult to discern specific details from this cameo, Greer appears in her now-iconic hirsute feline design. It should be noted we do not know if Tigra was on the Avengers then-current roster at the time or simply returning for this major emergency summons (A-Next #7).

 

Tigra was among those who agreed to embark on the grave mission which saw only seven members return through the portal. While we do not get a 100% confirmation, it is assumed Greer Nelson died along with almost all the Avengers who went on this final mission. Despite the sobering tragedy of such a massive loss, the Avengers team did collectively succeed in saving their Earth from the threat of Doom (A-Next #7).

 

We get one other MC2 appearance of sorts for Greer Nelson with the cover for Spider-Girl #60. While not appearing in the issue itself, we do see Greer Nelson amongst an assortment of other superheroines on the cover, again sporting her original The Cat costume. You might have to take a close look as she is only partially visible at the very top left of the image. Confirmation this is not her sort-of successor Patsy Walker in the suit as Hellcat comes when we look to the original pencils of the cover by Ron Frenz.

 

 

Sadly, that is all I have to offer regarding Tigra in the MC2. The Avengers roster was certainly culled significantly on their final mission, leaving the world quite sparce on heroes for over a decade. I’d enjoy a flashback tale or something featuring Tigra or maybe her next generation counterpart, even if I know it’s fairly unlikely.

 

Until I gain feline abilities through a mix of science and magic and later grow a tail, I remain

 

frogoat

 

 

The Rhino in the MC2

Usually, I try and pick a topic or character related to a recent Marvel movie or television show and detail their MC2 counterpart for maximum exposure. But, since I’ve had some setbacks recently and because I’ve been wanting to cover this character for a good while now, I decided what the heck? Why not just throw this one out before I lose all the data on my laptop and must start from scratch again?! So, today’s post is about Aleksei Mikhailovich Sytsevich aka The Rhino in the MC2. Enjoy!

 

Aleksei Sytsevich made his debut as The Rhino in the pages of Amazing Spider-Man #41 by Stan Lee and John Romita Sr in 1966. There he is seen rampaging all the way to New York on his way to capture John Jameson before being defeated by Spider-Man and placed in a state corrections hospital. Escaping shortly afterwards, Rhino attempts to complete his original mission but is again defeated after Spider-Man uses a special acid webbing created by Curt Connors (aka The Lizard) to dissolve the Rhino’s armour (Amazing Spider-Man #42-43).

 

It is also in Amazing Spider-Man #43 that we get glimpses of Rhino’s origin where we learn he was ‘a hired hood—a muscle man’ working for professional spies. He was considered so unintelligent he would not betray his employers even after they subjected him to months of experiments and treatments, culminating in gifting him enhanced strength. Finally, he was covered in a molecular adhesive protective ‘second skin’ and truly became the Rhino. However, not only had Rhino received increased strength, but also increased intelligence…at least enough to realize he did not need to follow his employers’ orders anymore and went solo.

 

It is interesting to note that the Rhino has had his suit destroyed on various occasions, the first being his above-mentioned encounter with Spider-Man, but despite this through the first few decades of his existence he inevitably found his way into a new and sometimes improved second skin thanks to various super-geniuses. All this would come to an end when Rhino grew tired of being trapped in his latest suit after it had once again become permanently bonded to him following a shuttle explosion (apparently off-panel in Incredible Hulk #159 implied in Thing #24 and confirmed in the Official Handbook of the Marvel Universe Deluxe Edition #10).

 

This became the Rhino’s motivation going forward, driving him to find a cure for his condition as noted above in the Thing #24. Rhino betrays his Sinister Syndicate team mates for a deal with the Kingpin after the doctor attempting to cure him was killed by the team. Despite the Kingpin’s promise of a cure, he instead planned to retain the Rhino as muscle. When Rhino kidnapped one of the scientists in the Kingpin’s employ, he was finally freed from his suit. Unfortunately, the Kingpin threatened the scientist’s family and Rhino reached out to Justin Hammer for a new and improved Rhino suit once more, one he could once again remove this time (Deadly Foes of Spider-Man #1-4).

 

Despite this, by the time of Sensational Spider-Man #31 occurs, Rhino is once again apparently trapped within his suit. This is evident from his rampage through New York in a desperate attempt to feel something as he was unable to feel through his suit. Spider-Man is able to comply with the Rhino’s desire by electrocuting him, defeating him in the process and ending his rampage. I specifically mention this story as it takes place right before the MC2’s divergence from the Main Marvel Universe and somewhat nicely leads us to the Rhino’s one and only appearance in the MC2.

 

In the pages of Amazing Spider-Man Family #3, Peter, Mary Jane and Aunt Anna bring a sick baby May Parker to a hospital emergency room. There they encounter Aleksei Sytsevich who is seeking medical attention for his aunt Yulya Sytsevich. Peter mentions hearing that Aleksei had finally managed to surgically remove his Rhino suit. Aleksei struggles with the registration process and becomes agitated until Mary Jane offers to help with the paperwork, which his aunt accepts. Aleksei recognizes Peter as the Daily Bugle photographer and invites him to get a coffee. Aleksei mentions his was once hired to threaten Peter, a direct reference to Spectacular Spider-Man #190.

Meanwhile, Anna and Mary Jane help fill out the forms for Yulya who tells them that Aleksei sacrificed a lot to bring his family over from Russia, which is most likely a reference to Amazing Spider-Man Annual #28 where we see he has only managed to bring over his mother and niece Alexia, with intentions of bringing the rest of his family to the United States once he has more money. Aleksei and Peter discuss the expenses of paying for medical treatment and they bond over their common lack of money, both working job to job. Aleksei mentions some of the ‘bad bosses’ he’s worked for including the Beetle, the Leader and Doctor Octopus, the last of which may be a reference to Webspinners: Tales of Spider-Man #17-#18 by MC2 alumni Tom Defalco and Ron Frenz.

 

Peter explains Spider-Man does what he does because of the loss of a family member and Aleksei relates to this, mentioning how his aunt Yulya lost her husband Borya who was ‘taken away in the night and never seen again’. Aleksei explains that he joined Russian gangsters to protect his family, using the money he was paid to support them, and how this eventually led to him being turned into the Rhino and eventually earned enough to migrate his family to America. Though Peter believes Spider-Man and Rhino are destined to meet again as enemies, Peter and Aleksei found common ground and part ways on good terms.

 

There is a treasure trove to unpack and explore with the Rhino, including the fact he is not even given a real name until the Official Handbook of the Marvel Universe: Hulk 2004 was published nearly 4 decades after the character’s debut. Prior to that, he used the alias Alex O’Hirn (the surname being an anagram) while posing as a baseball player in Incredible Hulk #435, a pseudonym some other adaptions would use, most notably in the Ultimate Spider-Man comics and the Spectacular Spider-Man cartoon. The use of Rhino’s real name in this MC2 tale is yet another example of later details, characters and story elements being integrated into the MC2 from the Main Marvel Universe after the point of divergence.

 

I am also considering a family tree post to cover Aleksei’s surprising number of relatives, let me know if you’d be interested in seeing that. This post proved rather more difficult to research than I first thought but I thoroughly enjoyed the process. It is good to know some of Spider-Man’s foes had a happy ending, even if the United States’ healthcare system could do with an overhaul. Just saying.

 

Until I talk about the Mecha-Rhino, I remain

 

frogoat

 

 

  

 

 

 

   

 

Spider-Girl's Spider-Signal

 

A little while back I wrote a post discussing Spider-Girl’s First Web-shooters and today I’d like to present a kind of addendum or supplemental post about one specific aspect of her web-shooters. Let us jump right in and discuss the implications.

 

Introduced in Spider-Girl #18 by Tom Defalco and Ron Frenz (who was filling-in for Pat Olliffe for the issue) is Mayday’s own version of the classic Spider-Signal, here used on The Buzz during a confrontation. Notably, the light is projected from Spider-Girl’s web-shooter unlike her father’s version which is built into his equipment belt.

 

On a side-note, the original release of Spider-Girl #18 depicts most of the eye outline projected by the Spider-Signal in a slightly different shaded red colour. This is also the case in the Spider-Girl Digest Volume 4 reprint and even the recent Spider-Girl: The Complete Collection Volume 2 reprint. This does not appear to be the case on digital editions of the issue, where the Spidey-eyes are black as they would be normally for Spider-Man’s Spider-Signal.

 

The design choice to have May’s version of the Spider-Signal built into her web-shooters is an interesting but also practical one. As Mayday does not appear to use an equipment belt, it seems logical to place the Spider-Signal on her web-shooter.

 

Additionally, as pointed out by arias-98105, the idea of a Spider-Signal-like light being projected from a web-shooter dates back to at least the original 1967 Spider-Man animated series, as seen in such episodes as ‘Captured by J Jonah Jameson’. We know artist and Spider-Girl co-creator Ron Frenz does like the show though this is apparently not a deliberate reference but instead a happy coincidence.

 

Yet another point of note is that since this issue follows immediately after Peter hands over the web-shooters as a sign of trust and a passing of the torch. May herself calls it her ‘new Spider-Signal’ in her internal monologue, so it might be an upgrade Peter installed for his daughter as a sign of support, or even potentially an entirely new pair of web-shooters.

 

 

While the Spider-Signal does not make a lot of appearances in the Spider-Girl series, it is worth noting it appears on the covers of The Buzz #1, Spider-Girl #46 and #74. I will give out a coveted No-Prize to anyone who can point out any other appearances!

 

Until I stop enjoying blinding potential criminals with intense red lights to strike fear into the superstitious, cowardly lot, I remain

 

frogoat