Did Marvel's Spider-Man 2 Just Reference the MC2?!

 

Like many people over the last few days, I’ve been thoroughly enjoying playing Marvel’s Spider-Man 2 from Insomniac on Playstation 5. Anyone who reads this blog regularly knows I love the MC2, but I was honestly not expecting a potential reference to one of the MC2’s groundbreaking couples. Let me explain. Minor spoilers for the game ahead!

 

During the mission ‘Make Your Own Choices,’ Miles Morales aka Spider-Man is attempting to locate Felicia Hardy aka the Black Cat to warn her about the threat of Kraven’s hunters. Of course, he arrives too late and Felicia is already on the move attempting to flee New York by stealing the Wand of Watoomb from Doctor Strange’s Sanctum Sanctorum. While fighting off the hunters, Miles learns from Felicia that she wanted to use the Wand in order to reach Paris where her girlfriend is in danger. After defeating droves of the hunters, Miles helps Felicia use the Wand of Watoomb to open a portal to Paris, near the Eiffel Tower and away from the threat of Kraven the Hunter to whatever fate has in store for her there.

 

What does this have to do with the MC2? Well, the MC2 was the first to establish Felicia’s bisexuality by revealing her new partner was a woman named Diana. In Spider-Girl #47, Mary Jane invites both Felicia and her partner Diana over for a cup of tea. Diana mentions the couple were previously living in Paris but have moved back so that Felicia’s daughter Felicity can reestablish a relationship with her father, Flash Thompson. When Mary Jane asks how long the two have known each other, Felicia states ‘it’s going on six years now’ and mentions that Diana used to be a contract operative for her detective agency.

 

Could this be the unidentified girlfriend Felicia mentions in the Marvel’s Spider-Man 2 video game? I’m willing to believe so, at least. I can’t think of any other romantic partners of Felicia with a connection to Paris. Let me know what you think!

 

Until I stop jumping to conclusions, I remain

 

frogoat  

Who Was Mary MacLeod?

 

I am going far a field for this one! I had trouble justifying my recent little post about William ‘Wild Will’ Fitzpatrick as it wasn’t directly related to the MC2 at all, and was just something I wanted to cover to break me out of my writer’s block. Today is a similar post not directly pertaining to the MC2, but I am hoping to build this and the previously mentioned post along with other related posts into a rather large combined entry in the MC2 Family Tree series. Today, we will be looking at the Marvel character Mary MacLeod.

 

Who is Mary MacLeod? Why am I talking about her? What does she have to do with anything? Well, let us start at the beginning…which is also the end. Confused? Let me explain. In 1990 the long-gestating, gorgeously illustrated graphic novel Spider-Man: Spirits of the Earth by Charles Vess was released. In its pages Peter and Mary Jane take ‘a sort of second honeymoon’ to Scotland when Mary Jane is bequeathed the estate of her relative, Mrs MacLeod.

 

We learn from a letter written and mailed before Mrs MacLeod’s death that her home county of Ross-Shire (which is a real place by the way) is being bought up by business developers with plans to destroy the area’s natural beauty. Travelling to Scotland to untangle legal matters, Peter and Mary Jane rent a room in the village’s local inn for a week. The publican Alan Sinclair correctly identifies the couple as ‘Mr and Mrs Parker’ and informs Mary Jane he has been expecting ‘the niece of Mary MacLeod’ for some time. While the village is not named, we can use context and geography to identify it.

 

The village is near Duncraig Castle (another real place, though greatly fictionalised here) overlooking Lochalsh or Loch Alsh (that’s ‘Lake’ Alsh for those not in the know, yet again a real place) and thanks to the letter Mary MacLeod wrote to her niece, we even have the postcode ‘IV40’. Putting all this together, it appears the village just might be Kyle of Lochalsh which looks out at Loch Alsh and is located a few minutes’ drive from Duncraig Castle. An essay written by Charles Vess’ which was published alongside the story confirms these very real locations he visited on his many travels to Scotland’s Highlands, with an additional point of interest being that Eilean Donan Castle seems to be the visual inspiration for Duncraig Castle, given it resembles a castle unlike Duncraig. Further, Mr Vess begs forgiveness from the people of the Highlands ‘for stretching and rearranging their landscape and villages to suit the requirements of my story.’ A class act.

 

Let us circle back to Mary MacLeod. As mentioned above the barkeep Alan Sinclair refers to Mary Jane Parker as Mary’s niece, but also says ‘A fine lady was our Mary, she spoke of you manys the time. It’s pleased I am to be meetin’ a relation of herself.’ When Mary Jane and Peter visit the church graveyard, Mary Jane reflects ‘the letters she wrote always made me feel so close. I almost felt as if I knew her.’ In the MacLeod Croft, while looking at Mary’s photos, Mary Jane notes ‘look…her whole life is in these pictures and, oh Peter, here she is at my christening.’ Together, these comments paint a picture of a solitary older woman who cherished her niece or grand-niece as she had no family of her own. While the honorific ‘Mrs’ may indicate MacLeod is Mary’s married name, ‘Mrs’ is also used for older women and those who preference it. If MacLeod were the maiden name, it could be argued that Mary Jane’s mother Madeline was also a MacLeod before marriage which would make Mary Jane’s family heritage almost indisputably Scottish.

 

As I’ve touched upon in my Osborn Family Tree and Osborn Name Origins there are some interesting real-world tidbits we can learn from surnames and their origins. Watson is a common Scottish and English with ancient Anglo-Saxon origins. MacLeod as a surname is of Scottish origin, being an anglicised form of the Scottish Gaelic surname MacLeòid meaning ‘son of Leòd’ and derived from Old Norse.

 

Finally, we learn that Mary attended the christening of Mary Jane, presumably an infant at the time, which further defines the family’s religion or cultural practices as some form of Christianity, which fits well with a Scottish background with it is the largest religious denomination in the country.

 

This last point is not factual, but worth meditating on. The story of Spirits of the Earth features three Mary’s: Mary MacLeod who’s correspondence and passing brings Peter and Mary Jane to Scotland where the events unfold, Dark Mairi of the Shore, a mysterious and magical old woman who communes with the fairies and spirits, and Mary Jane Parker who becomes heavily involved in events, even aiding Mairi by adding her own youthful spirit and energy to bring down a cavern at the stories climax. Notably, when glimpsed from afar, Mairi appeared as a youthful redheaded woman with a resemblance to Mary Jane. I wonder if Mary MacLeod had red hair too?

 

Despite not even appearing once, Mary MacLeod provides us a rare glimpse into the broader history, culture, religion, and geography surrounding Mary Jane Watson’s family. It is also nice to know that should the Parker Family ever travel to Scotland, they have a nice little cottage with a sublime view waiting for them. A wholehearted special thanks to both maydaymemer and arias-98105 for their help on this one, it’s greatly appreciated.

 

Until I crack the Watson Family Tree and retire to the Isles, I remain

 

frogoat

Venom and Eminem

Today I present for your consideration an old post I wrote back in 2018ish on Tumblr (when it was relevant) following the release of Sony's first Venom movie. It's a bit of a departure from my usual musings but I'm fairly happy with the analysis younger me produced. My hope is that I can preserve some of my older material here for future me to re-discover. Who knows, maybe someone else will find it interesting? Anyway, enjoy!

 Venom and Eminem

I’ve recently had a few people ask me my opinion on the song ‘Venom’ by Eminem for the soundtrack of the titular film. So here we go:

Despite perhaps not being top-tier in terms of his best work, Eminem’s Venom song does hold more merit than might be thought from your first listen. 

For those only familiar with his early hits or present day charting singles, Eminem frequently utilizes more than one persona for his various songs: Eminem (the Rap God), Marshall Mathers (the man behind the facade) and Slim Shady (the dark and offensive Evil Twin). 

Through his early career the artist became mostly associated with his Slim Shady persona, partly because of which songs became hits and which lyrics drew negative media attention and partly because he encouraged it and even enjoyed it. 

Over the years, he’s come out with many songs discussing his meteoric rise to fame, his poor handling of the popularity and the scrutiny of media associated with living in the public eye. His marriage fell apart, he was banned in places and demonstrated against. He was a villain because he gave into his dark impulses and didn’t care who got hurt as a result. Sound familiar?

Venom started out as a villain who gained popularity exceptionally quickly and was later transitioned into an anti-hero as a result. Often described as an evil counterpart to Spider-Man, the combination of the alien symbiote and former journalist turned obsessive Spidey stalker Eddie Brock, Venom never actually corrupted it’s former host Spider-Man. In fact, until Eddie came along the symbiote was merely a glorified tool, an extension of the hosts will. Under Eddie’s influence Venom suddenly became a fearsome malevolence that hurt and killed those in their way without remorse and justified and rationalized their actions so as to never blame themselves. 

'Ever since I came along
From the day the song called “Hi! My Name Is” dropped
Started thinking my name was fault
'Cause anytime things went wrong
I was the one who they would blame it on
The media made me the equivalent of a modern-day Genghis Khan’

–Guts Over Fear

Further into his career, Em tried to transition himself into a more sympathetic light, with more singles and album tracks focusing on his personal struggles and private life, while still maintaining the harder edge and unapologetic attitude that made him famous. In terms of trajectory, this very much mirrors Venom’s repositioning into an anti-hero in the comics. In more recent times we’ve seen Em address his own status as a villain in the industry including attempts to make amends with such songs as 'Headlights’ and 'Bad Husband’ as well as more vulnerable songs like 'Walk on Water’ and ‘In Your Head’. 

‘Hailie, baby, I didn’t mean to make you eighty/Percent of what I rapped about/ Maybe I shoulda did a better job at separating/Shady and entertaining from real life/But this fame thing is still the hardest thing to explain/It’s the craziest shit I/Ever seen, and back then it was like I ain’t even/Bothered taking into consideration/You one day being older and may hear me say things/I didn’t (A) mean and (B) just ain’t me/’

–In Your Head

There’s almost a one to one comparison between the character of Venom and the artist Marshall Mathers. Eddie blames others or deflects responsibility for his behaviour, as Em often dismissed criticism of his foul and offensive lyrics as just his art - the work of his evil other half, Slim Shady- not intended to be taken seriously. Both became overnight hits, both became more sympathetic overtime and both seemingly flit between the role of villain and anti-hero in their respective mediums and in the eyes of fans.

The song Venom itself makes for a microcosm of themes. The song starts by claiming it’s for those who’ve been given a ’raw deal’ and are feeling angry. This can be read as referring to both Eddie Brock and Marshall himself when they were at low points in life. then we are introduced to a few themes with 'When something’s in your mitochondrial/ 'Cause it latched on to you’ conjuring images of the alien symbiote and 'Knock knock, let the devil in, malevolent/ As I’ve ever been, head spinnin’, this medicine’ using the symbiote as a metaphor for his past drug dependence and bad behaviour. These ideas reoccur throughout the song, with shifting meanings as the song progresses. 'shoulda been dead a long time ago’ can also be read as referring to both Em’s near death experience via overdose before going sober and Eddie Brock’s attempted suicide and/or cancer diagnosis before finding the symbiote.

The chorus makes reference to the erratic behaviour of both Eddie and Marshall with ’ Venom, (I got that) adrenaline momentum/ And I’m not knowin’ when I’m/ Ever gonna slow up and I’m/ Ready to snap any moment I’m/ Thinkin’ it’s time to go get 'em/ (W-w-when they get bit with the-)/ Venom’. There’s also not-so-subtle references here to the adrenaline rush a person feels when using certain drugs, which also describes the way Eddie feels when empowered by the alien symbiote. 

Another commonality, Venom and Eminem are known for using descriptions of over the top violent acts, often for humourous effect. The humour is also juxtaposed against the dark themes of the song or the actions taken. This can be seen to address the power fantasy of both Eddie Brock’s newfound abilities and Marshall’s fame and influence, which inevitably results in them abusing their abilities and status. Tell me that doesn’t remind you of anyone else?

'Then I wait to face the demons I’m bonded to/ 'Cause they’re chasin’ me but I’m part of you/ So escapin’ me is impossible/ I latch onto you like a—parasite/ And I probably ruined your parents’ life/ And your childhood too/'Cause if I’m the music that y'all grew up on/I’m responsible for you retarded fools/ I’m the super villain Dad and Mom was losin’ their marbles to/ You marvel that? Eddie Brock is you/ And I’m the suit, so call me—/ Venom’

While the symbiote is initially used as a way to talk about the dark side of Marshall’s personality, fame and former drug addiction, by the song’s conclusion he admits that despite his decade of sobriety and efforts to change, the darkness always resided within him. Unlike Eddie Brock, Marshall is taking responsibility for his actions. However, if Em is the symbiote suit, then he’s granting great power, and it’s up to the audience (’Eddie Brock is you’) to use it responsibly.

Or maybe it’s all just a catchy song to sell records?

Mayday's Eyes

 

With Sony’s Spider-Man: Across the Spider-Verse bringing more attention to our favourite MC2-alumni with the introduction of Peter B Parker and Mary Jane Watson-Parker’s adorable baby daughter Mayday Parker, I thought now would be the perfect time to discuss Mayday’s Eyes.

 

One of the most notable talking points in the lead-up to Across the Spider-Verse was baby Mayday’s unique eye colour choice; heterochromia. This was seen in the officially released concept art which coincided with the first trailer’s debut online. With one iris blue and the other brown the design was distinctive, but having viewed the film, it did not appear to have been retained for the character as she appeared on screen. Unless I am mistaken, baby Mayday on the big screen had two blue eyes. Presumably in both cases the intent was to show Mayday inherited her eye colour from her parents, with Peter B having brown eyes and this Mary Jane having blue eyes in her brief appearances.

 

Now, let’s take look at the eye colour of the MC2’s May ‘Mayday’ Parker. While the comics have often been inconsistent with varying eye colours between issues, there is one colour that Mayday appears to have more consistently: blue. This is supported by a rather obscure source for official character information: Spider-Girl Battlebook: Streets of Fire. As I mentioned a very long time ago, with a cover date of November 1998, this was the first published source to provide officially approved physical characteristics for May ‘Mayday’ Parker.

 

However, when the Official Handbook of the Marvel Universe: Women of Marvel 2005 gave us a full profile for Spider-Girl, Mayday was instead listed as having brown eyes. This was corrected to blue once again when the Official Handbook of the Marvel Universe A to Z Hardcover Vol. 11 updated the profile information. It is worth noting that the Main Marvel Universe and MC2 Mary Jane is firmly established to have green eyes and similarly, Peter has hazel eyes.

 

Now, let us look at one other aspect of May ‘Mayday’ Parker’s eyes you may not have considered: poor vision. If we go all the way back to the beginning with What If #105, we do briefly glimpse May rocking glasses, presumably for some kind of vision impairment. Notably, this instance takes place shortly after Mayday’s powers first manifested during a basketball game and she does not continue to wear them in future appearances. As far as I can tell, the only other occasions of May donning eyewear are for the purposes of fashion, disguise, or safety such as Spider-Girl #42, #60, #65 and Amazing Spider-Girl #20.

 

What is interesting is May did not revert to using glasses when she lost her spider-powers following her battle with Killerwatt in Spider-Girl #25. Maybe Mayday only uses glasses in some circumstances or her spider-powers had already ‘healed’ any deficit in her eye-sight? It is not a certainty, though Peter has not returned to using his glasses on the occasions his own spider-powers have been lost.

 

Until I gain some perspective and take a long-sighted view on what I focus on, *eye* remain

 

frogoat

 

 

Baby Mayday in Across the Spider-Verse

 

It is not exactly news now, as I am sure you have already heard or seen it: Baby Mayday is coming to the big screen for the first time in Sony’s Spider-Man: Across the Spider-Verse. We have seen snippets and glimpses of little Mayday in trailers for the movie, as well seen some officially released concept art.

 

It seems the downtrodden Peter B. Parker who mentored Miles Morales in Spider-Man: Into the Spider-Verse reconciled with the Mary Jane of his universe and the couple brought the little bundle of joy into the wide world. From concept art we know that this depiction of Mayday has heterochromia and red-hair. We got our first look at Mayday last year around the release of the initial full trailer with this colourful concept art:

 

 

 

In the YouTube Afterparty video following the full trailer, in conversation with Hailee Steinfeld

 Phil Lord and Chris Miller had this to say:

 

"Peter B. Parker is in a family way. Peter got back with Mary Jane and they had a baby named Mayday. She has half spider-blood. Parenting is hard enough when they don't have the ability to stick to walls."

 

With the latest trailers and tv spots we see more of the cutie Mayday, though I do not believe we know who voices her just yet. I am not sure if this adorable baby can talk, but she sure can ‘Coo!’ so someone’s providing those vocalisations. Someone is getting paid to make baby noises, I wonder who?

 

I am very excited for this movie, and not just because of Peter B. and Mary Jane’s bouncing, wall-crawling baby girl, either. The original Into the Spider-Verse film set an exceptionally high bar that I hope this first sequel can reach if not exceed.

 

Until I stop finding babies utterly adorable, which, let’s face it, is impossible, I remain

 

frogoat

Spider-Symmetry: Mary Jane and the Smythe Family

 

Another quick post, this time for my long-neglected Spider-Symmetry series. For today’s entry, I wanted to show a fun little connection between two Spidey comics separated by 20 years and a whole universe.

 

First up in Amazing Spider-Man Annual #19 we meet Alistaire Alphonso Smythe, the son of Spencer Smythe. In his first appearance Alistaire is an overweight man who worked for the Kingpin until he is promptly fired. We also learn that Spencer Smythe left Alistaire and his mother, only visiting occasionally, and ignoring Alistaire, in his obsession talking only of destroying Spider-Man. Due to some silly shenanigans, Alistaire captures Mary Jane and her Aunt Anna, mistakenly believing MJ is Spider-Man until his flying saucer-style Spider-Slayer crashes into powerlines. While the cover of this story depicts Mary Jane removing her coat to reveal she is wearing a Spider-Man costume beneath, this unfortunately does not actually occur within the issue itself.

 

Staci Smythe makes her first appearance as an unnamed store clerk in the Spider Shoppe when May first discovers the place in Spider-Girl #45. We later learn more about Staci Smythe in Spider-Girl #91 when she is revealed as the costumed villain La Fantome. Staci Smythe desired to be a famous fashion designer and attended fashion college. While there she was recruited by Mary Jane Parker to work at the Spider Shoppe upon its opening, allowing her to pay for her education. Recognizing Staci's surname, Mary Jane had hoped to give the young woman a break from the stigma of her family's name, which Staci evidently greatly appreciated.

 

Disguised as La Fantome, Staci began making attacks on Daniel Kingsley at his Spider-Women themed fashion show and warehouse office as revenge for his profiting from idea's stolen from the Spider Shoppe. Staci also organized a rally in support of the Spider Shoppe which attracted the police, prompting her to don her La Fantome guise once more. However, La Fantome undone when her fellow rally attendee's (including Spider Shoppe secret-owner Mary Jane Parker and Spider-Girl herself, May Parker) joined forces to surround her wearing various spider-costumes allowing Spider-Girl the opportunity to easily apprehend and unmask her. 

 

So, we have both stories, Amazing Spider-Man Annual #19 and Spider-Girl #90, featuring Mary Jane in the classic Spider-Man costume and both featuring a Smythe Family member as the antagonist, albeit with the latter issue revealing Staci at least meant well. Plus, this time Mary Jane wore the costume in the issue itself! Heck, going way back to the events of Amazing Spider-Man #25 (and visited by a time-travelling Mayday in Spider-Girl #10-#11), both Spencer Smythe and Mary Jane’s first appearance (albeit an obscured appearance), the resolution of the plot involves a Spider-Man costume being used to thwart the Spider-Slayer too. But maybe that’s a stretch?

 

Until I stop having my brain wrinkled by these fun little touches, I remain

 

frogoat