Spider-Symmetry: The Swinging 60's Spidey

 

For today’s post we have another entry in the occasional series where I endeavour to highlight the visual or narrative symmetry between the Spider-Man and Spider-Girl comics. For this entry of Spider-Symmetry, we are taking a look at a silver age era comic classic and a modern era classic. This instalment, we must credit the amazing penciller and Spider-Man co-creator Steve Ditko and MC2 and Spider-Girl co-creator, artist extraordinaire and friendly fella, Ron Frenz, but we have a few stops on the way…

 

First up we have the iconic cover to 1964’s Amazing Spider-Man #19 by sturdy Steve Ditko, featuring our webbed wonder, Spider-Man swinging directly toward the reader with various familiar faces surrounding him in a stylized web. Seriously, this guy was talented.

 

It would be remiss of me not to mention the amusing Spider-Man cameo from the pages of Fantastic Four Annual #3 released in 1965. I’ll let it speak for itself.

 

For the generations of Spidey fans who know the 1967 Spider-Man cartoon will no doubt recognize this pose, as it (along with many other poses) was ‘recycled’ for various episodes’ swinging segments.

 

Now, here’s the cover to Amazing Spider-Man #68 by jazzy John Romita Senior, coincidentally released in 1968, which features a similarly swinging Spider-Man albeit rendered very much in the style of Mr. Romita.

 

Coming full circle, the cover to Spider-Girl #42 pencilled by Ron Frenz and released in 2002 demonstrates a combination of both Mr. Ditko and Mr. Romita’s cover poses and art styles, no doubt influenced or informed by Mr Frenz’s own affection for the 60’s Spider-Man animation.

 

Once again, it’s wonderful reverence and references like this that really make the MC2 feel familiar and inclusive of the whole history of the Spidey mythos.

 

Until I make a post about the 70’s series, I remain

 

frogoat