Who Was Mary MacLeod?

 

I am going far a field for this one! I had trouble justifying my recent little post about William ‘Wild Will’ Fitzpatrick as it wasn’t directly related to the MC2 at all, and was just something I wanted to cover to break me out of my writer’s block. Today is a similar post not directly pertaining to the MC2, but I am hoping to build this and the previously mentioned post along with other related posts into a rather large combined entry in the MC2 Family Tree series. Today, we will be looking at the Marvel character Mary MacLeod.

 

Who is Mary MacLeod? Why am I talking about her? What does she have to do with anything? Well, let us start at the beginning…which is also the end. Confused? Let me explain. In 1990 the long-gestating, gorgeously illustrated graphic novel Spider-Man: Spirits of the Earth by Charles Vess was released. In its pages Peter and Mary Jane take ‘a sort of second honeymoon’ to Scotland when Mary Jane is bequeathed the estate of her relative, Mrs MacLeod.

 

We learn from a letter written and mailed before Mrs MacLeod’s death that her home county of Ross-Shire (which is a real place by the way) is being bought up by business developers with plans to destroy the area’s natural beauty. Travelling to Scotland to untangle legal matters, Peter and Mary Jane rent a room in the village’s local inn for a week. The publican Alan Sinclair correctly identifies the couple as ‘Mr and Mrs Parker’ and informs Mary Jane he has been expecting ‘the niece of Mary MacLeod’ for some time. While the village is not named, we can use context and geography to identify it.

 

The village is near Duncraig Castle (another real place, though greatly fictionalised here) overlooking Lochalsh or Loch Alsh (that’s ‘Lake’ Alsh for those not in the know, yet again a real place) and thanks to the letter Mary MacLeod wrote to her niece, we even have the postcode ‘IV40’. Putting all this together, it appears the village just might be Kyle of Lochalsh which looks out at Loch Alsh and is located a few minutes’ drive from Duncraig Castle. An essay written by Charles Vess’ which was published alongside the story confirms these very real locations he visited on his many travels to Scotland’s Highlands, with an additional point of interest being that Eilean Donan Castle seems to be the visual inspiration for Duncraig Castle, given it resembles a castle unlike Duncraig. Further, Mr Vess begs forgiveness from the people of the Highlands ‘for stretching and rearranging their landscape and villages to suit the requirements of my story.’ A class act.

 

Let us circle back to Mary MacLeod. As mentioned above the barkeep Alan Sinclair refers to Mary Jane Parker as Mary’s niece, but also says ‘A fine lady was our Mary, she spoke of you manys the time. It’s pleased I am to be meetin’ a relation of herself.’ When Mary Jane and Peter visit the church graveyard, Mary Jane reflects ‘the letters she wrote always made me feel so close. I almost felt as if I knew her.’ In the MacLeod Croft, while looking at Mary’s photos, Mary Jane notes ‘look…her whole life is in these pictures and, oh Peter, here she is at my christening.’ Together, these comments paint a picture of a solitary older woman who cherished her niece or grand-niece as she had no family of her own. While the honorific ‘Mrs’ may indicate MacLeod is Mary’s married name, ‘Mrs’ is also used for older women and those who preference it. If MacLeod were the maiden name, it could be argued that Mary Jane’s mother Madeline was also a MacLeod before marriage which would make Mary Jane’s family heritage almost indisputably Scottish.

 

As I’ve touched upon in my Osborn Family Tree and Osborn Name Origins there are some interesting real-world tidbits we can learn from surnames and their origins. Watson is a common Scottish and English with ancient Anglo-Saxon origins. MacLeod as a surname is of Scottish origin, being an anglicised form of the Scottish Gaelic surname MacLeòid meaning ‘son of Leòd’ and derived from Old Norse.

 

Finally, we learn that Mary attended the christening of Mary Jane, presumably an infant at the time, which further defines the family’s religion or cultural practices as some form of Christianity, which fits well with a Scottish background with it is the largest religious denomination in the country.

 

This last point is not factual, but worth meditating on. The story of Spirits of the Earth features three Mary’s: Mary MacLeod who’s correspondence and passing brings Peter and Mary Jane to Scotland where the events unfold, Dark Mairi of the Shore, a mysterious and magical old woman who communes with the fairies and spirits, and Mary Jane Parker who becomes heavily involved in events, even aiding Mairi by adding her own youthful spirit and energy to bring down a cavern at the stories climax. Notably, when glimpsed from afar, Mairi appeared as a youthful redheaded woman with a resemblance to Mary Jane. I wonder if Mary MacLeod had red hair too?

 

Despite not even appearing once, Mary MacLeod provides us a rare glimpse into the broader history, culture, religion, and geography surrounding Mary Jane Watson’s family. It is also nice to know that should the Parker Family ever travel to Scotland, they have a nice little cottage with a sublime view waiting for them. A wholehearted special thanks to both maydaymemer and arias-98105 for their help on this one, it’s greatly appreciated.

 

Until I crack the Watson Family Tree and retire to the Isles, I remain

 

frogoat

Venom and Eminem

Today I present for your consideration an old post I wrote back in 2018ish on Tumblr (when it was relevant) following the release of Sony's first Venom movie. It's a bit of a departure from my usual musings but I'm fairly happy with the analysis younger me produced. My hope is that I can preserve some of my older material here for future me to re-discover. Who knows, maybe someone else will find it interesting? Anyway, enjoy!

 Venom and Eminem

I’ve recently had a few people ask me my opinion on the song ‘Venom’ by Eminem for the soundtrack of the titular film. So here we go:

Despite perhaps not being top-tier in terms of his best work, Eminem’s Venom song does hold more merit than might be thought from your first listen. 

For those only familiar with his early hits or present day charting singles, Eminem frequently utilizes more than one persona for his various songs: Eminem (the Rap God), Marshall Mathers (the man behind the facade) and Slim Shady (the dark and offensive Evil Twin). 

Through his early career the artist became mostly associated with his Slim Shady persona, partly because of which songs became hits and which lyrics drew negative media attention and partly because he encouraged it and even enjoyed it. 

Over the years, he’s come out with many songs discussing his meteoric rise to fame, his poor handling of the popularity and the scrutiny of media associated with living in the public eye. His marriage fell apart, he was banned in places and demonstrated against. He was a villain because he gave into his dark impulses and didn’t care who got hurt as a result. Sound familiar?

Venom started out as a villain who gained popularity exceptionally quickly and was later transitioned into an anti-hero as a result. Often described as an evil counterpart to Spider-Man, the combination of the alien symbiote and former journalist turned obsessive Spidey stalker Eddie Brock, Venom never actually corrupted it’s former host Spider-Man. In fact, until Eddie came along the symbiote was merely a glorified tool, an extension of the hosts will. Under Eddie’s influence Venom suddenly became a fearsome malevolence that hurt and killed those in their way without remorse and justified and rationalized their actions so as to never blame themselves. 

'Ever since I came along
From the day the song called “Hi! My Name Is” dropped
Started thinking my name was fault
'Cause anytime things went wrong
I was the one who they would blame it on
The media made me the equivalent of a modern-day Genghis Khan’

–Guts Over Fear

Further into his career, Em tried to transition himself into a more sympathetic light, with more singles and album tracks focusing on his personal struggles and private life, while still maintaining the harder edge and unapologetic attitude that made him famous. In terms of trajectory, this very much mirrors Venom’s repositioning into an anti-hero in the comics. In more recent times we’ve seen Em address his own status as a villain in the industry including attempts to make amends with such songs as 'Headlights’ and 'Bad Husband’ as well as more vulnerable songs like 'Walk on Water’ and ‘In Your Head’. 

‘Hailie, baby, I didn’t mean to make you eighty/Percent of what I rapped about/ Maybe I shoulda did a better job at separating/Shady and entertaining from real life/But this fame thing is still the hardest thing to explain/It’s the craziest shit I/Ever seen, and back then it was like I ain’t even/Bothered taking into consideration/You one day being older and may hear me say things/I didn’t (A) mean and (B) just ain’t me/’

–In Your Head

There’s almost a one to one comparison between the character of Venom and the artist Marshall Mathers. Eddie blames others or deflects responsibility for his behaviour, as Em often dismissed criticism of his foul and offensive lyrics as just his art - the work of his evil other half, Slim Shady- not intended to be taken seriously. Both became overnight hits, both became more sympathetic overtime and both seemingly flit between the role of villain and anti-hero in their respective mediums and in the eyes of fans.

The song Venom itself makes for a microcosm of themes. The song starts by claiming it’s for those who’ve been given a ’raw deal’ and are feeling angry. This can be read as referring to both Eddie Brock and Marshall himself when they were at low points in life. then we are introduced to a few themes with 'When something’s in your mitochondrial/ 'Cause it latched on to you’ conjuring images of the alien symbiote and 'Knock knock, let the devil in, malevolent/ As I’ve ever been, head spinnin’, this medicine’ using the symbiote as a metaphor for his past drug dependence and bad behaviour. These ideas reoccur throughout the song, with shifting meanings as the song progresses. 'shoulda been dead a long time ago’ can also be read as referring to both Em’s near death experience via overdose before going sober and Eddie Brock’s attempted suicide and/or cancer diagnosis before finding the symbiote.

The chorus makes reference to the erratic behaviour of both Eddie and Marshall with ’ Venom, (I got that) adrenaline momentum/ And I’m not knowin’ when I’m/ Ever gonna slow up and I’m/ Ready to snap any moment I’m/ Thinkin’ it’s time to go get 'em/ (W-w-when they get bit with the-)/ Venom’. There’s also not-so-subtle references here to the adrenaline rush a person feels when using certain drugs, which also describes the way Eddie feels when empowered by the alien symbiote. 

Another commonality, Venom and Eminem are known for using descriptions of over the top violent acts, often for humourous effect. The humour is also juxtaposed against the dark themes of the song or the actions taken. This can be seen to address the power fantasy of both Eddie Brock’s newfound abilities and Marshall’s fame and influence, which inevitably results in them abusing their abilities and status. Tell me that doesn’t remind you of anyone else?

'Then I wait to face the demons I’m bonded to/ 'Cause they’re chasin’ me but I’m part of you/ So escapin’ me is impossible/ I latch onto you like a—parasite/ And I probably ruined your parents’ life/ And your childhood too/'Cause if I’m the music that y'all grew up on/I’m responsible for you retarded fools/ I’m the super villain Dad and Mom was losin’ their marbles to/ You marvel that? Eddie Brock is you/ And I’m the suit, so call me—/ Venom’

While the symbiote is initially used as a way to talk about the dark side of Marshall’s personality, fame and former drug addiction, by the song’s conclusion he admits that despite his decade of sobriety and efforts to change, the darkness always resided within him. Unlike Eddie Brock, Marshall is taking responsibility for his actions. However, if Em is the symbiote suit, then he’s granting great power, and it’s up to the audience (’Eddie Brock is you’) to use it responsibly.

Or maybe it’s all just a catchy song to sell records?

Video Games in the MC2

 

For today’s post, I wanted to try something a little different, by taking a look at video games and how they are referenced in the pages of MC2 comics. Video games, like comics are another often overlooked part of the pop culture landscape which gets little respect so this cross-pollination of media is an interesting lens to look through and get a glimpse of the world as it was at various points in the MC2’s publication history. This is Video Games in the MC2.

 

First up, we have an unidentified (and possibly fictional) video game that J2 aka Zane Yama is seen playing in A-Next #9. J2 tells Mainframe he is playing ‘one of those first person shooters’. Playing the game helped him decide how he would vote when the team were debating whether to make the perilous journey to another universe. Notably, the console’s controller has a retro design with only two face buttons which are contrasted by other elements; it is wireless and has a small screen and works in conjunction with what appears to be either Virtual Reality glasses or 3D glasses.

 

Next up, we have another video game device which Rina Logan aka Wild Thing enjoys playing. This one is a hand-held console that uses a VR headset. If Elektra is to be trusted on matters of up-to-date gaming technology, this unidentified console uses cartridges rather than disks. Rina has hacked and modified the fighting action game, allowing her to customise the main character’s appearance to resemble her costumed alter-ego, Wild Thing. This was apparently for a computer class project for which Rina received an ‘A’ grade. Kuroyama, the villainous assassin of the Hand, now rebuilt as a cyborg with a built-in attack computer that uses a virtual reality matrix is inadvertently defeated with one hit after appearing within Rina’s video game (Wild Thing #2).

Apparently in keeping with the MC2’s tradition of ‘themed months,’ we get another video game reference in another second issue. This time in Fantastic Five (vol. 1) #2 we are introduced to Doctor Lenny Gilcrest, a genius who designed a best-selling video game while still in high school who now works for S.H.I.E.L.D.  Gilcrest’s first project for S.H.I.E.L.D. is a Super Android dubbed Superoid which the Fantastic Five help field test. When Lenny is captured, the Superoid is quickly hijacked by the Wizard’s Warriors thanks to Gilcrest’s habit of using the same programming command structure for all his video games. I am curious if one of Lenny’s video games was among those played by J2 or Wild Thing?

 

Just two months later in the pages of Wild Thing #4 we see J2 playing what is almost certainly a Sega Dreamcast console, judging by the distinct controller. The Dreamcast would have been a very relevant console to reference, given its North American release in September 1999, mere months before this issue was released. Not a lot of lead time for artist Ron Lim, but the Dreamcast had already debuted in Japan the year before making it more plausible. I initially thought Juggie Junior was playing Doom, but having checked online, it appears the title never officially came to the Dreamcast. Suffice it say, the game appears to be another first-person shooter in the same vein as the Doom series.

 

The Wild Thing series is apparently the unlikely focus for this post, because in the very next issue we get a throw away reference to Rina’s school crush Colin Brewster’s father. According to Colin, his dad created a computer game with a giant robot that resembled their crash-site discovery: The Iron Despot. After his initial excitement, Colin soon realizes this is no game and eventually the day is saved when Wild Thing tricks the Iron Despot into a sinkhole (Wild Thing #5).

 

In Avengers Next #1 we glimpse yet another first-person shooter that J2 and Bluestreak are playing together in Avengers Compound. The controllers appear to be Xbox 360 controllers given their shape, design, and wireless status. This suggests they are playing on an Xbox 360 console, which was first released in late 2005 which fits with the Avengers Next mini-series which came out a year later in late 2006 Notably, the game display on the television has three player screens, so presumably Bluestreak is multitasking. We can also see three gamertags listed: 896-T, 569-BStreak and 998-J2.

 

That is it for today’s post but if I scrounge up enough material, I may produce a sequel to this post. I think it is interesting to look at the MC2 through the lens of the video game industry and see what was in the zeitgeist during the imprint’s run. It is fun to think the MC2 saw VR games as the future for the video game industry way back in the late 90’s and I had a blast trying to figure out what consoles were real and which were fictional. Special thanks to arias-98105 and the Video Game Console Library, I could not have produced this post without their help.

 

Until I learn how to mod old video games to add custom Spider-Girl player models, I remain

 

frogoat

 

 

Mayday's Eyes

 

With Sony’s Spider-Man: Across the Spider-Verse bringing more attention to our favourite MC2-alumni with the introduction of Peter B Parker and Mary Jane Watson-Parker’s adorable baby daughter Mayday Parker, I thought now would be the perfect time to discuss Mayday’s Eyes.

 

One of the most notable talking points in the lead-up to Across the Spider-Verse was baby Mayday’s unique eye colour choice; heterochromia. This was seen in the officially released concept art which coincided with the first trailer’s debut online. With one iris blue and the other brown the design was distinctive, but having viewed the film, it did not appear to have been retained for the character as she appeared on screen. Unless I am mistaken, baby Mayday on the big screen had two blue eyes. Presumably in both cases the intent was to show Mayday inherited her eye colour from her parents, with Peter B having brown eyes and this Mary Jane having blue eyes in her brief appearances.

 

Now, let’s take look at the eye colour of the MC2’s May ‘Mayday’ Parker. While the comics have often been inconsistent with varying eye colours between issues, there is one colour that Mayday appears to have more consistently: blue. This is supported by a rather obscure source for official character information: Spider-Girl Battlebook: Streets of Fire. As I mentioned a very long time ago, with a cover date of November 1998, this was the first published source to provide officially approved physical characteristics for May ‘Mayday’ Parker.

 

However, when the Official Handbook of the Marvel Universe: Women of Marvel 2005 gave us a full profile for Spider-Girl, Mayday was instead listed as having brown eyes. This was corrected to blue once again when the Official Handbook of the Marvel Universe A to Z Hardcover Vol. 11 updated the profile information. It is worth noting that the Main Marvel Universe and MC2 Mary Jane is firmly established to have green eyes and similarly, Peter has hazel eyes.

 

Now, let us look at one other aspect of May ‘Mayday’ Parker’s eyes you may not have considered: poor vision. If we go all the way back to the beginning with What If #105, we do briefly glimpse May rocking glasses, presumably for some kind of vision impairment. Notably, this instance takes place shortly after Mayday’s powers first manifested during a basketball game and she does not continue to wear them in future appearances. As far as I can tell, the only other occasions of May donning eyewear are for the purposes of fashion, disguise, or safety such as Spider-Girl #42, #60, #65 and Amazing Spider-Girl #20.

 

What is interesting is May did not revert to using glasses when she lost her spider-powers following her battle with Killerwatt in Spider-Girl #25. Maybe Mayday only uses glasses in some circumstances or her spider-powers had already ‘healed’ any deficit in her eye-sight? It is not a certainty, though Peter has not returned to using his glasses on the occasions his own spider-powers have been lost.

 

Until I gain some perspective and take a long-sighted view on what I focus on, *eye* remain

 

frogoat